The environs of the capital are made as delightful as those of Paris by the lovely beech-woods that cover so much of the land, and by the haunting beauty of the views across the Sound. A few miles north of the city is the famous Dyrehaven, or deer-park, a vast expanse of gently undulating woods or grass land with a large water-lily-covered pond, where deer roam about under a few old oaks and many beeches, often so close together that they have soared instead of being allowed to spread. Beech woods are very dear to the Danes, and in the Kunst Museum at Copenhagen there is a striking picture by Philipsen of which they form the subject.[71] On a low hill in the park is the Eremitagen, a hunting-lodge, in which the king can look out from his own house over soil that another rules.

Along the Sound front there peep out from the woods just one or two old thatched cottages with heavy logs along their ridges, but far more prominent are the modern villages, which are largely made up of restaurants and hotels. Very many too are the summer cottages of prosperous citizens; far toward the north they spread along the shore, the bungalow kind of thing that has long been frequent in America and is beginning to become naturalised in England too.

A tale is told of a Danish husband, not famous for the best of tempers, who proposed to his wife that they should celebrate their silver wedding, but rather weariedly she suggested that instead they might wait five years and then commemorate their Thirty Years' War. This must have been a most exceptional state of affairs, if one may judge from Danes one has the pleasure of knowing, or from what one may see of the race making holiday at these seaside resorts. No European people seems to get more out of life and into life than the always cheerful inhabitants of this small land. It is the mark of true genius that, shut out from so much, they have made still more of what remains.

Less than thirty miles north of Copenhagen, where the Sound is straitest, stands the town that is next best known to the world of all on Danish earth. The call of the future dominates Copenhagen, but the romance of the past still broods over Elsinore, or Helsingör, where Kronborg Castle looks across the narrow sea. How it seems to Danish minds can hardly be better told than in Hans Andersen's simple and yet holding tale.

"Kronborg Castle stands in Denmark, close to the Oere Sound, through which tall ships sail by in hundreds, English, Russian, and Prussian. They all greet the old fortress with their cannon, 'Boom!' And the castle answers, 'Boom!' That is the way the cannon say 'Good morning' and 'Good evening.' In the winter, when no ships sail by, and the Sound is covered with ice right up to the Swedish coast, it looks just like an inland street. Danish and Swedish flags are flying; Danes and Swedes cry to each other, 'good morning,' and 'good night,' but not with cannon—no, with a kindly clasp of the hand. One brings to the other biscuits and white bread, for foreign fare is always the sweetest. But the most beautiful sight of all is the grand old castle, in whose deep inaccessible vaults sits Holger Danske. He is clad in mail armour; his head rests on his strong arms; his long beard has grown into the marble table, where he sits asleep. He dreams, and in his dream he sees all that happens in his native land. Every Christmas Eve an angel comes to him, and tells him that his dreams are true, but that he may sleep on undisturbed for a while longer. Denmark is not yet in danger, but if the danger ever comes Holger Danske will spring to his feet, the table will shiver to pieces as he draws away his beard, and the hero will lay about him, so that every land shall ring with the story.

"An old grandfather sat one evening telling his little grandson all this tale of Holger Danske, and the child knew well that what his grandfather said was true. As the old man spoke, he finished off a large wooden figure of Holger Danske which was to ornament the prow of a ship, for the grandfather was a carver in wood, and had carved many a figure-head from which a good ship was to take her name. Now he had just carved Holger Danske, standing proudly with his long beard; in one hand he held his flashing sword; in the other the Danish shield.

"'It is the finest national arms in the world,' said the old man. 'Lions and hearts—emblems of strength and love!' He looked at the topmost lion and thought of King Knut, who chained England fast to Denmark's throne; he looked at the second lion and thought of Waldemar, who gave peace to Denmark, and subdued the Vandal's lands; he looked at the third lion and thought of Margaret, who united into one Sweden, Norway and Denmark. But as he looked at the hearts they burned and brightened into flames; each stirred in its place, and by its side stood a spirit.

"But the little child in bed saw clearly the old Kronborg towering above the Oere Sound; he saw the real Holger Danske, sitting alone in the deep vault, his beard grown fast to the marble table, dreaming of all that happened overhead. Holger Danske dreamed too of all that went on in the little room; he heard every word, and nodded in his dreams.

"'Yes,' he cried, 'keep me in your hearts and in your memory, ye Danish folk. In the hour of danger, I shall be at hand.'

"And the clear daylight fell over Kronborg; the wind bore along the sound of the hunting horns from the country round; the ships sailed by with their greeting 'Boom, boom!' And Kronborg answered 'Boom! Boom!' But Holger Danske woke not, let them thunder as loud as they might, for they only meant 'good morning!' 'good evening!'"