"Chesterfield sofa--two castors loose--one-fifteen," murmured Mr. Stillbottle, plying his pencil. ("Run away, that's good children.) Me'ogany whatnot"--he slipped his hand round behind the piece of furniture in question--"with deal back, two-ten. Armchair, with off 'ind leg cracked, twelve-and-six. (Run away, that's little dears. Run away and drown the kitten, or give the canary a shampoo; but don't stand there starin' at me like a pair of images. I don't like it, so don't do it.) Now for the 'arpsichord!"
The harassed Mr. Stillbottle began to examine the Welwyns' piano. The Cure turned to The Caution.
"Funny man!" she reiterated ecstatically.
"Yesh," assented The Caution, who suffered from a slight palatal affection. "Funny man! Lesh fight him a little bit!"
As an intimation that the approaching combat was to be of the friendliest description, he first smiled seraphically upon Mr. Stillbottle (who was looking the other way at the moment), and then dealt that gentleman a well-directed blow in the back of each knee simultaneously with his pudgy fists. Mr. Stillbottle, who, owing to his ignorance of infantile patois, was entirely unprepared for this onslaught, promptly fell head-first into the arm-chair with the damaged hind leg, reducing its value by a further one-and-ninepence. Before he could extricate himself his enraptured admirers had conceived and partially put into execution the happy design of tickling him to death.
"Now, look 'ere," he exclaimed indignantly, when he was sufficiently recovered from the suddenness of this outrage to resume an upright position, "you must drop it! Pop off! I won't 'ave it! If I ketch 'old of either of you--if I ketch--all right, say no more about it! I believe that little girl 'as got the evil eye," he muttered weakly to himself. Mr. Stillbottle's nerves were not in good order, and The Cure had regarded him with unwinking steadfastness for something like five minutes. "Go and play over there," he urged, almost piteously, "and let me do my job. Now, where was I? Ho, yes--the pianner."
He submitted that venerable instrument to a further scrutiny.
"Collard and Collard," he observed. ("A very appropriate title, too, for this 'ouse!) Date, about seventy-four or five, I should say." He lifted the lid and struck a few inharmonious chords. "Not been tooned since bought. Loud pedal broke, and ivories off three keys. Mouse-'ole in the back. Say thirty-five bob, or two p--Will you drop it?"
Mr. Stillbottle made this request from the floor, upon which he had suddenly adopted a recumbent attitude. The Caution and the Cure, having decided to initiate their idol into what they had always considered the most consummate jest in existence, had placed a heavy footstool close behind his heels; and Mr. Stillbottle, stepping back a pace in order to view the tout ensemble of the piano, had carried the joke to a successful and rapturous conclusion.
Amid appreciative shrieks of merriment from the twins, their fermenting playfellow rose solemnly to his feet, and was pausing dramatically for the double purpose of recovering his breath and deciding upon an effective scheme of reprisal, when he became aware that the door was open and that the master of the house was smilingly contemplating the entertainment.