But Dicky would have none of it.
"Too childish," he said. "We will just leave him as he is, and finish our evening. Then he can go home and pack his carpet-bag. But"--The Freak turned suddenly and savagely upon the gently perspiring Jebson--"let me give you one hint, my lad. Never again mention ladies' names before a roomful of men, or, by God, you'll get a lesson from some one some day that you will remember to the end of your life! That is all. I have finished. The Committee for Dealing with Public Nuisances is dissolved. Let us--"
"I will now," suddenly remarked a confidential but slightly vinous voice from the other end of the room, "have great pleasure in giving you an imitation of Mr. Beerbohm Tree."
And the Assistant Professor of Comparative Theology, who had been neglecting the rôle of avenging angel in order to prime himself at the sideboard for another excursion into the realms of mimetic art, struck exactly the same attitude as before, and began to mouth out, with precisely similar intonation and gesture, the limerick which had already done duty in the case of Sir Henry Irving.
After this the proceedings degenerated rapidly into a "rag" of the most ordinary and healthy type. The company, having dined, had ceased to feel vindictive, and The Freak's admirably appropriate handling of the situation met with their entire appreciation. With relief they proceeded from labour to recreation. Mr. Jebson was unceremoniously bundled into a corner; some one opened Mr. Wickham's piano, and in two minutes an impromptu dance was in full swing. I first found myself involved in an extravagant perversion of the Lancers, danced by the entire strength of the company with the exception of Baron Guldenschwein, who presided at the piano. After this the Theologian, amid prolonged cries of dissent, gave another imitation--I think it was of Sarah Bernhardt--which was terminated by a happy suggestion of Dicky's that the entertainer should be "forcibly fed"--an overripe banana being employed as the medium of nourishment. Then the Baron struck up "The Eton Boating Song." Next moment I found myself (under strict injunctions to remember that I was "lady") waltzing madly round in the embrace of the Senior Wrangler, dimly wondering whether the rôle of battering-ram which I found thrust upon me during the next ten minutes was an inevitable one for all female partners, and if so, why girls ever went to balls.
Presently my partner suggested a rest, and having propped me with exaggerated gallantry against the window-ledge, took off his dickey and fanned me with it.
After that we played "Nuts in May."
The fun grew more uproarious. Each man was enjoying himself with that priceless abandon which only youth can confer, little recking that with the passing of a very few years he would look back from the world-weary heights of, say, twenty-five, upon such a memory as this with pained and incredulous amazement. Later still, say at forty, he would look back again, and the retrospect would warm his heart. For the present, however, our warmth was of a purely material nature, and the only Master of Arts present mopped his streaming brow and felt glad that he was alive. To a man who has worked without a holiday for three years either in a drawing-office or an engineering-shop in South London, an undergraduate riot of the most primitive description is not without its points.
"The Eton Boating Song" is an infectious measure: in a short time we were all singing as well as dancing. The floor trembled: the chandelier rattled: the windows shook: Jesus Lane quaked.
"Swing, swing, together,"