IV
Possibly it may have occurred to the reader to wonder whether in a community at once so erudite and progressive as Broxborough—it possesses both a Cathedral Close and a Linoleum Factory, you will remember—there can have been no official alternative to Twenty-One, The Common—no Public Library, no Public Lecture Courses, no Municipal Oracle, as it were.
In truth Broxborough once had all these things. Before the War there existed an institution known as Broxborough Pantheon. Here was an excellent library of reference; lectures and classes, too, were constantly in operation throughout the winter months. In its lighter moments the Pantheon lent itself to whist drives. But the entire building had been destroyed by fire in Nineteen Fifteen, and had never been rebuilt, for the good and sufficient reason that during those days there were other things to do. After the Armistice money was scarce and rates were high. Moreover, that shrinking sensitive-plant, the British bricklayer, had been instructed by his Union to limit his professional activities to a tale of bricks so tenuous that his labours for the day were completed, without undue strain, by the time that he knocked off for breakfast. The months passed; such constructive energy as the district could compass was devoted to Government housing schemes, and still the Pantheon lay in ruins.
But one day a man from Pittsburgh, who had been born in Broxborough nearly forty years previously, and had relinquished his domicile and civil status therein by becoming an American citizen at the age of three, returned, rugged, prosperous, and beneficently sentimental, to revisit the haunts of his youth, and refresh his somewhat imperfect memories of his birthplace.
Naturally he found the place profoundly changed. The Cathedral organ-bellows were now inflated by a gas-engine, and the nine-seventeen up-train did not start until nine-forty-two. And—where the Broxborough Pantheon had once reared its stucco pseudo-Doric façade upon the market-square, there was nothing but an untidy hoarding masking a heap of charred débris, and labelled, 'Site of proposed new premises of the Broxborough Pantheon.' The label appeared to have been there for some years.
John Crake of Pittsburgh made inquiries, and the truth was revealed. The old Pantheon had ceased to exist for nearly five years, and the new Pantheon, in the present condition of the rate-payers' pockets, seemed unlikely ever to exist at all. So John Crake, having pondered the matter in his large and sentimental heart, put his hand into his own capacious pocket, and lo! the new Pantheon arose. The plasterers had wreaked their will upon the donor's bank account, and were making sullen way for the plumbers and electricians, about the time when I first encountered Mr. Baxter outside the second-hand bookshop.
And now the building was ready for occupation, and the exact procedure at the opening ceremony was becoming a matter of acute recrimination at the Council meetings. So that genial gossip the Rector informed me, as we encountered one another one afternoon on our professional rounds.
"Things are more or less arranged," he said, "so far as our city fathers are capable of arranging anything. The place is to be called Crake Hall, which I think is right, and Crake himself is coming over from America for the opening, which I call sporting of him. Old Broxey" (The Most Noble the Marquis of Broxborough, the Lord Lieutenant of our County) "will perform the opening ceremony. That is to say, he will advance up the steps in the presence of the multitude and knock three times upon the closed doors of the Hall. A solemn pause will follow, to work up the excitement. Then the donor, who will be standing inside, wearing a top-hat for the first time in his life—"
"Rector, I have frequently warned you that your ribald tongue will some day lose you your job."
"Never mind that. It's a poor heart that never rejoices, and I am too fat to be serious all the time, anyhow. Well, after the appointed interval of silence Crake will open a kind of peep-hole in the oaken door, and say: 'Who goes there?' or something of that kind. Broxey, if he is still awake, will reply: 'The Citizens of this Ancient Borough,' or words to that effect. Then the doors will be thrown open—assuming that they will open; but you know what our local contractors are—and Crake will be revealed in his top-hat, and will say: 'Welcome, Stranger!' or, 'Walk right in, boys!' or, 'Watch your step!' or something like that, and will hand the key of the Institute to Broxey, who will probably lose it."