"Sorry!" says Brown, and the matter ends. It never occurs to Brown to invite Smith to join the family party. Such a proceeding would be unheard of. A schoolboy with his "people" in tow neither expects nor desires the society of his friends. His father may be genial, his mother charming, his sister pretty; but in the jaundiced eyes of their youthful host they are nothing more or less than a gang of lepers—to be segregated from all communication with the outer world; to be conveyed from one point to another as stealthily as possible; and above all to be kept out of the way of masters.

Later in life, say at the University, this diffidence disappears. A pretty sister becomes an asset; a pearl of price; a bait for luncheon parties and a trap for theatre-tickets. Even a father, provided he does not wear a made-up tie or take

off his hat to the Dons, is tolerated. But at school—never! Why?

The reason is that it is almost impossible to give one's "people" their heads when on a visit to School without opening the way for breaches of etiquette and social outrages of the most deplorable kind. Left to themselves, fathers are addicted to entering into conversation with casual masters—especially masters who in the eyes of a boy are too magnificent to be approached or too despicable to be noticed. Mothers have been known to make unsolicited overtures to some School potentate—yea, even the Captain of the Eleven—because he happens to have curly hair or be wearing a pretty blazer. Sisters are capable of extending what the Lower School terms "the R.S.V.P. eye" to the meanest and most insignificant fag. These solecisms shame Master Brown to his very soul. Consequently he keeps his relatives in relentlessly close order, herding them across the quadrangle under a running fire of admonition and reproof.

"Yes, Dad, that's the Head. Look the other way, or he'll notice you.... For goodness sake, Mum, don't stop and talk to this fellow: he's in the Boat. Who is that dear little boy with brown eyes? Great Scott, how should I know

all the rotten little ticks in the Lower School?...Sis, what on earth did you go smiling and grinning at that chap for? He is a master. He took his hat off? Well, you must have begun it, that's all! Think what an outsider he must consider you!... What, Mum? Who are these two nice-looking boys sitting on that bench? Not so loud! They're the Captain of the Eleven and the Secretary. Will I ask them to tea to amuse Dolly? Certainly, if you don't mind my leaving the School for good to-morrow morning!...This is the cricket-ground. No, you can't go and sit in the shade under those trees: it is fearful side to go there. Stay about here. If you see any people you know, from Town or anywhere, you can talk to them; but whatever you do, don't go making up to chaps. I'll find young Griffin for you if you like. He'll be pretty sick; but he knows you in the holidays, so I suppose he has got to go through it. Sit here. Perhaps you had better not speak to anybody while I'm away, whether you know them or not. Sis, remember about not making eyes at fellows. They don't like that sort of thing from young girls: they're different from your pals in Hyde Park; so hold yourself in. I'll be back in a minute."

Then he departs in search of the reluctant Griffin.

The only member of the staff to whom a boy permits his "people" to address themselves is his Housemaster. Him he regards as inevitable; and consents gloomily to conduct his tainted band to a ceremonial tea in the Housemaster's drawing-room. There he sits miserably upon the edge of a chair, masticating cake, and hoping against hope that the ceremony will end before his relatives have said or done something particularly disastrous.

He is conscious, too, of a sad falling-off in his own demeanour. Ten minutes ago he was a miniature Grand Turk, patronising his parents and ruffling it over his sister. Now he is a rather grubby little hobbledehoy, conscious of large feet and red hands, mumbling "Yes, sir," and "No, sir," to a man whom he has been accustomed to represent to his family as being wax in his hands and a worm in his presence.