Next day Marjorie walked on at her first rehearsal, and practised the new numbers with the rest. Mr. Lancaster's attitude towards her was the same as Mr. Lee's. That is to say, he addressed her much as an old gentleman of seventy might address a little girl of six.
"Now, dear, I know you are feeling nervous, and aren't going to do yourself justice, just at first—"
"I am not a bit nervous, thank you," said Marjorie.
"Oh, yes, you are," said Mr. Lancaster. "But remember that I understand about that, and am making allowances all the time. So don't be frightened; but keep your head up, and sing out, that's a good girl!"
"He's a hard nut," remarked her next-door neighbour into her ear—"but he never swears at you. At least, if he does, he always apologises afterwards. He's quite a gentleman."
In a few days Marjorie was admitted an accepted member of the choral sisterhood. She found her colleagues, for the most part, young, friendly, talkative, excitable, and as improvident as grasshoppers. Most of them possessed a "boy" of some kind—usually a callow subaltern of the one-star brand, with a vocabulary largely composed of the expressions "priceless" and "pathetic." Some of them were married. A few had husbands actually out in France, or farther afield. One or two had babies, and talked about them a good deal.
Of the principals, Miss St. Leger, with her magnetic personality and tough little Chicago voice, was a prime favourite with everybody. Her hold over the audience was wonderful: she could galvanise a Wednesday matinée into enthusiasm. Compared with her, the second girl, Phyllis Lane, was no more than an attractive amateur. But both were kind to their humbler sisters. Indeed, nearly everybody was kind to everybody in those days. The theatrical profession is conspicuous for its big generosities and petty jealousies. In August, nineteen-sixteen, the former had almost entirely obliterated the latter. A huge daily casualty-list is a very levelling—indeed, binding—influence, especially in such a community; there was not a girl in the chorus at the Imperial who had not an interest, actual or prospective, in that casualty-list.
The male members of the company, as was only natural at the time, were remarkable neither for their youth nor their physical fitness. In addition to the phlebitic Ames, there were—Jack Hopeleigh, a well-preserved hero with a light baritone—he was registered under the Derby Scheme in group forty-three; Hubert Hartshorn, a comic manservant, who owed his irresistible wheezy laugh to the fact that he had been badly gassed at Ypres more than twelve months previously, and was now discharged permanently unfit; and one Valentine Rigg, a stage lawyer, who for forty years had earned a modest but steady income by arriving in the Third Act with a black bag, and clearing up all misunderstandings just before the clock struck eleven.
To the student of humanity the chorus gentlemen were really more interesting than the principals. There was a dismal individual named Chivers, who now kept a stationer's shop in Brixton, but had once been in grand opera—Carl Rosa's chorus. He contributed a reedy tenor to the ensemble. There was a plump little man with a round face and little tufts of white whisker, invaluable in scenes of revelry where guests of the "jolly old uncle" type were required. This was his first theatrical engagement for fifteen years. In the interim he had supported life with invincible cheerfulness, as a bookmaker's clerk, a traveller in hymn-books, and head-waiter in an old-fashioned Brighton hotel. There was a discharged corporal of the Machine Gun Corps, with lungs of brass, the D.C.M. ribbon on his waistcoat, and twenty-seven fragments of German H.E. in his left leg. There was an unpleasant-looking youth named Mervyn, with bobbed hair and a patronising manner—debarred from volunteering his services to his country by reason of a susceptibility to chills upon the liver. Popular rumour located these elsewhere.
And there was Alf Spender—"Uncle Ga-Ga." His age was a mystery. His own estimate, for war purposes, was forty-one. The ladies of the chorus put it among themselves at a hundred and fifty. It was possibly fifty-four, or thereabouts. He was a frail creature, with a simple soul, and what Americans call a "single-track" mind. He had been a super or chorus man ever since he could remember; and until the year nineteen fourteen had never relinquished a humble ambition to achieve a speaking part. But now all that was cast to the winds. His single track was carrying other traffic. Somewhere within his ill-nourished frame burned the pure white flame of genuine patriotism. His one desire was to be admitted to the privilege of khaki, and to do his humble part in "teaching those dirty Germans a lesson." He never rested in his efforts to qualify. He dyed his scanty locks; he endeavoured, by daily study of a manual of Swedish exercises, to school his feeble limbs and sickly body to the requisite pitch of efficiency. He offered himself at every recruiting station in London, giving a different name at each. But all in vain; no one would accept him. He could pass no physical test; a big heart was not enough.