"Noo, if a' cam across ane o' thae meeserable objects in Drumtochty, div ye ken the advice I wud gie him?

"A wud tell the daidlin', thowless, feckless, fushionless wratch o' a cratur tae watch for the first spate and droon himsel' in the Tochty."

"What's he aff through the graves for in sic a hurry?" and Jamie followed Charlie's retreating figure with a glance of admirable amazement; "thae's no very gude mainners he's learned in Americky."

"Thank ye, Jeemes, thank ye; we're a' obleeged tae ye," said Drumsheugh. "A' wes ettlin' tae lay ma hands on the whup-ma-denty (fop) masel, but ma certes, he's hed his kail het this mornin'. Div ye think he 'ill tak yir advice?"

"Nae fear o' him; thae neer-dae-weels haena the spunk; but a'm expeckin' he 'ill flee the pairish."

Which he did. Had you called him indolent or useless he had smiled, but "daidlin', thowless, feckless, fushionless wratch," drew blood at every stroke, like a Russian knout.

We had tender words also, that still bring the tears to my eyes, and chief among them was "couthy." What did it mean? It meant a letter to some tired townsman, written in homely Scotch, and bidding him come to get new life from the Drumtochty air; and the grip of an honest hand on the Kildrummie platform whose warmth lasted till you reached the Glen; and another welcome at the garden-gate that mingled with the scent of honeysuckle, and moss-roses, and thyme, and carnations; and the best of everything that could be given you; and motherly nursing in illness, with skilly remedies of the olden time; and wise, cheery talk that spake no ill of man or God; and loud reproaches if you proposed to leave under a month or two; and absolute conditions that you must return; and a load of country dainties for a bachelor's bare commons; and far more, that cannot be put into words, of hospitality, and kindness, and quietness, and restfulness, and loyal friendship of hearts now turned to dust in the old kirkyard.

But the best of all our words were kept for spiritual things, and the description of a godly man. We did not speak of the "higher life," nor of a "beautiful Christian," for this way of putting it would not have been in keeping with the genius of Drumtochty. Religion there was very lowly and modest—an inward walk with God. No man boasted of himself, none told the secrets of the soul. But the Glen took notice of its saints, and did them silent reverence, which they themselves never knew. Jamie Soutar had a wicked tongue, and, at a time, it played round Archie's temperance schemes, but when that good man's back was turned Jamie was the first to do him justice.

"It wud set us better if we did as muckle gude as Archie; he's a richt livin' man and weel prepared."

Our choicest tribute was paid by general consent to Burnbrae, and it may be partiality, but it sounds to me the deepest in religious speech. Every cottage, strangers must understand, had at least two rooms—the kitchen where the work was done, that we called the "But," and there all kinds of people came; and the inner chamber which held the household treasures, that we called the "Ben," and there none but a few honoured visitors had entrance. So we imagined an outer court of the religious life where most of us made our home, and a secret place where only God's nearest friends could enter, and it was said of Burnbrae, "He's far ben." His neighbours had watched him, for a generation and more, buying and selling, ploughing and reaping, going out and in the common ways of a farmer's life, and had not missed the glory of the soul. The cynic of Drumtochty summed up his character: "There's a puckle gude fouk in the pairish, and ane or twa o' the ither kind, and the maist o' us are half and between," said Jamie Soutar, "but there's ae thing ye may be sure o', Burnbrae is 'far ben.'"