Accordingly when Cranmer, called at length and arraigned before the Council, produced the ring—the symbol of his enemies’ discomfiture—and was brought to the royal presence that his cause might be tried by the King in person, the positions of accused and accusers were reversed. Acting, not without passion, rather as the advocate of the menaced man than as his judge, Henry received the Council with taunts, and in reply to their asseverations that the trial had been merely intended to conduce to the Archbishop’s greater glory, warned them against treating his friends in that fashion for the future. Cranmer, for the present, was safe.[7]
Protestant England rejoiced with the Protestant Archbishop. But it rejoiced in trembling. The Archbishop’s escape did not imply immunity to lesser offenders, and the severity used in administering the law is shown by the fact that a boy of fifteen was burnt for heresy—no willing martyr, but ignorant, and eager to catch at any chances of life, by casting the blame of his heresy on others. “The poor boy,” says Hall, “would have gladly said that the twelve Apostles taught it him ... such was his childish innocency and fear.”[8] And England, with the strange patience of the age, looked on.
Side by side with religious persecution ran the story of the King’s domestic crimes. To go back no further, in the year 1542 Katherine Howard, Henry’s fifth wife, had met her fate, and the country had silently witnessed the pitiful and shameful spectacle. As fact after fact came to light, the tale will have been told of the beautiful, neglected child, left to her own devices and to the companionship of maid-servants in the disorderly household of her grandmother, the Duchess of Norfolk, with the results that might have been anticipated; of how she had suddenly become of importance when it had been perceived that the King had singled her out for favour; and of how, still “a very little girl,” as some one described her, she had been used as a pawn in the political game played by the Howard clan, and married to Henry. Only a few months after she had been promoted to her perilous dignity her doom had overtaken her; the enemies of the party to which by birth she belonged had not only made known to her husband misdeeds committed before her marriage and almost ranking as the delinquencies of a misguided child, but had hinted at more unpardonable misdemeanours of which the King’s wife had been guilty. The story of Katherine’s arraignment and condemnation will have spread through the land, with her protestations that, though not excusing the sins and follies of her youth—she was seventeen when she was done to death—she was guiltless of the action she was specially to expiate at the block; whilst men may have whispered the tale of her love for Thomas Culpeper, her cousin and playmate, whom she would have wedded had not the King stepped in between, and who had paid for her affection with his blood. “I die a Queen,” she is reported to have exclaimed upon the scaffold, “but I would rather have died the wife of Culpeper.”[9] And it may have been rumoured that her head had fallen, not so much to vindicate the honour of the King as to set him free to form fresh ties.
However that might be, Katherine Howard had been sent to answer for her offences, or prove her innocence, at another bar, and her namesake, Katherine Parr, reigned in her stead.
From a photo by W. Mansell & Co. after a painting of the School of Holbein.
KATHERINE HOWARD.