“What luck, what luck,” I used to say, “that I should be taking the very walks she took!” It was amazing how little things had changed. The house where Madame Roland was born still stands at the western point of the Ile de la Cité looking down on the statue of Henry IV and the busy Seine, and to the right the Pont-Neuf, in her day the heart of Paris and still to me one of its most fascinating spots.
As she slowly came to life something more important began to take shape, something which had been little more than a set of dates and events in my mind. I began to see the Revolution already well on its way when she was born; I saw it rising around her, sucking her in, using her when she thought it had gone far enough and should check its excesses, throwing her over without her head while true to type it went the whole way, finally falling exhausted into the hands of a dictator equipped with guns.
The physical scars of all this long train of violence could be seen on my daily walks or studied in the Musée Carnavalet where Paris has gathered documents and relics of what she has destroyed as well as of what she has achieved. But besides the scars of Madame Roland’s time were other scars dating from the centuries, scars of revolutionary outbreaks of the same type hardly to be distinguished from those of the period I was trying to visualize; and the more you knew of these explosions, the more they seemed to fit together. You could not bound Madame Roland’s Revolution as I had supposed. What I had called the French Revolution was only an unusually violent episode in the lifelong struggle of Paris to preserve herself as a free individual, the slave of no man or group of men. Revolution had always been her last resort in making herself what she was, in forcing kings to do her bidding, tolerating them when they fed her well, beautified her, protected her, but throwing them over when they asked too much money for the job they did.
The marks were all over the city. How could I understand Madame Roland until I understood the elemental force which for centuries had been sweeping Paris in big or little gusts? Did these who sought to loosen the force suppose that they created it or could control it, once loosened? Had Madame Roland, confident as she had been of her ability to act as Providence, frank as she was in saying that no role but that of Providence was suited to her powers, been anything more than a revolutionary tool and victim?
It had always been at work and still was. I must find out about it, and it looked at the moment as if I were going to have a good opportunity to watch a revolutionary revival—of what proportions no man could tell.
The Panama affair had disgusted all self-respecting Frenchmen. “Is the Republic to be a failure?” they were asking. Nothing so gives heart to the leaders of lost causes, disappointed political groups, advocates of panaceas and particularly to the radical-minded, as a rousing political scandal. Panama stirred all the parties of France to action—Bourbons and Bonapartists, extreme conservatives, socialists of all the many varieties, and particularly the anarchists.
There were four groups of the latter, no one of which would have anything to do with any of the others. It was the Independents who now went into action. Members of this group worked alone, letting not even their fellows know what they had in mind. A branch of the order existed in the United States, and it was one of them, Alexander Berkman, who attempted this same year, 1892, to assassinate Henry Frick in Pittsburgh. The Independent who acted first in Paris was Jules Ravachol by name, a man some thirty-three years old, a dyer by trade, with a courageous but not a criminal face. So I thought when, a little later, I secured his photograph and measurements from the Criminal Identification Bureau for McClure’s Magazine.
Ravachol began by blowing up various houses. It was like a tocsin. All over France similar outrages followed, and they continued at intervals for two or more years—the crowning one a bomb thrown in the Chamber of Deputies in December of 1893 by a notorious anarchist known as Auguste Vaillant. Several Deputies and eighty or more spectators in the gallery were wounded seriously. It was a ghastly affair.
The outbreaks and the rumors of outbreaks as well as the actual destruction had a bad effect on the nerves of many of the French. There was Alphonse Daudet.
Madame Daudet had offered to get me a pensée for the collection I was making for McClure’s Magazine, and arranged for me to call for the copy. After we had tea she took me to the library to see how “Alphonse was getting on.” It was my first glimpse of him: a little man, with a shock of straight black hair which stood out rather ferociously at the moment, evidently from running his fingers through it. His face was pale, his eyes astonishingly black and bright. He had lost two or three teeth, and the remaining ones were not very good. He was terribly excited. He had not finished his pensée, he said, because he had just had a visit from an anarchist. The servant had let in a man who had demanded twenty francs to buy a wagonload of dynamite to blow up the Hôtel de Ville. He grew more and more excited as he talked.