If it hadn’t been for the everything outside, away beyond the balcony (for, thank Heaven, no Spanish house is complete without one!), no amount of philosophy could have atoned for that room. It was simply white with the accumulated dust of no one knew how long. Our shoes made tracks on the floor, and our satchels made clean spots on the bureau. Two slab-sided, lumpy beds suggested troubled dreams. Two thin, threadbare little towels lay on the rickety, dusty wash-stand, and an old cracked pitcher held the stuff we must call water. A thin partition of matched boards dividing ours from the next “apartments,” rattled as we deposited our things in various places which looked a little cleaner than the places which were not so clean.
Had it not been for the balcony, we could never have endured it; though we had put up in queer places before. We had not even the satisfaction of leaning on the balcony rail; it was too dusty. But we could stand, and we did stand, looking out over and beyond the picturesque buildings, to the everlasting hills, to the Andes, their lofty summits encircling us like an emerald girdle, with calm La Silla thousands of feet above all.
Below us lay the city and the Square of Bolivar, with the bronze statue of the great Liberator in the centre, in the midst of a phalanx of palms, rising above the dust and the glaring white walk.
VI.
To the left, the Cathedral, one compensation at least for all the rest. What combination of characteristics is it that makes the Spaniard such a marvellous builder, and, at the same time, such a wretched maintainer? He builds a Cathedral to be a joy for all time; its lines fall into beauty as naturally as the bird’s flight toward its nest. Whatever he builds, he builds for posterity; simply, beautifully, gracefully. Even his straight rows of hemmed-in city houses have a touch of beauty about them somewhere; and in the Cathedral, his true artistic sense finds full expression. Close at hand the noble Campanile, swung with ancient bells, watches in serene dignity and beauty the moving, streaming life below. Sweet lines, harmonious to the eye, lift the Cathedral from the hideous dirt and unkempt streets; from the whirling dust and circling buzzards, to a sphere of forgetfulness, where beauty struggles for the supremacy she holds with royal hand so long as we continue to gaze upward.
But once let our eyes leave the mountains and the Tower, and it all changes into that other picture, the other side of the life of that curious compound of traits, the Spaniard. For here, South American as he calls himself, down deep in his heart he is ever the Spaniard, and although he has claimed his independence of the mother country these many years, through the heroic victories of Bolivar and his brave associates, his characteristics are Spanish, his arts are Spanish, his life is Spanish; his glorious Cathedral is Spanish, and his horrible streets are Spanish; his magnificent statue of Bolivar is Spanish, and the dowdy, dusty garden about it is Spanish. Was he ever intended to be a householder? Should not his portion be to beautify the earth by his artistic intuition, and let the rest of us, who do not comprehend the A B C of his art, be the cleaners and the menders? Is not this a people left like children to build up the semblance of a government from the wrong stuff? Will not the world in time come to see that one race cannot be all things; that some must be artists, and some mechanics; that some must be leaders, and others followers; that some will be the builders of beauty, to last for all time, and others must be the guardians of health, the makers of strong, clean men?