Lucas had driven the horses into one of the corrals. Alone there he had lassoed the old blaze-face; and then had driven the others out. Unaided, he had tied the old stallion down. As he lay there viciously biting and trying to strike out with his hind feet, Lucas had fastened a halter on his head and had drawn a riata (sixty feet long, and strong as the thews of a lion) tight about him just back of the forelegs. Twice he had passed it about the heaving girth of the old roan, whose reeking body was muddy with sweat and the grime and dust of the corral. The knots were tied securely and well. The rope would not break. Had he not made it himself from the hide of an old toro? From jaw-piece to jaw-piece of the halter he drew his crimson silk handkerchief, bandaging the eyes that gleamed red under swollen and skinned lids. Then, cautiously, Lucas unbound the four hoofs that had been tied together. The horse did not attempt to move, though he was consumed by a rage against his captor that was fiendish—the fury of a wild beast that has never yet been conquered.
Lucas struck him across the ribs with the end of the rope he was holding. The big roan head was lifted from the ground a second and then let fall, as he squealed savagely. Again the rope made a hollow sound against the heaving sides. Again the maddened horse squealed. When the rope struck the third time, he gathered himself together uncertainly—hesitated—struggled an instant—staggered to his feet, and stood quivering in every muscle of his great body. His legs shook under him; and his head—with the bandaged eyes—moved from side to side unsteadily.
Then Lucas wound the halter-rope—which was heavy and a long one—around the center-post of the corral where they were standing.
As he finished, he heard someone singing; the voice coming nearer and nearer. A man’s voice it was, full and rich, caroling a love song, the sound mingling with that of clattering hoofs.
Lucas, stooping, picked up the riata belonging to Nicolás. He was carefully re-coiling it when Guy Metcalf, riding up to the enclosure, looked down into the corral.
“Hello, Lucas! ‘Going to have some fun with the old roan,’ are you? Well, you’re the boy to ride him. ‘Haven’t got the saddle on yet, hey?’ Hold on a minute—— Soon as I tie, I’ll be with you!”
Lucas had not spoken, neither had he raised his head. He went to where little Topo was standing. Shaking the noose into place by a turn or two of the wrist, while the long loop dragged at his heels through the dust, he put his foot in the stirrup and swung himself into the saddle. He glanced at the gate—he ran the noose out yet a little more. Then he began to swing it slowly in easy, long sweeps above his head while he waited.
The gate opened and Metcalf came in. He turned and carefully fastened the gate behind him. He was a third of the way across the corral when their eyes met.
Then—with its serpent hiss of warning—the circling riata, snake-like, shot out, fastening its coils about him. And Topo, the little cow-horse trained to such work, wheeled at the touch of the spur as the turns of the rope fastened themselves about the horn of the saddle, and the man—furrowing the hoof-powdered dust of the corral—was dragged to the heels of the wild stallion. Lucas, glancing hastily at the face, earth-scraped and smeared and the full lips that were bleeding under their fringe of gold, saw that—though insensible for a moment from the quick jerk given the rope—the blue eyes of the man were opening. Lucas swung himself out of the saddle—leaving Topo to hold taut the riata. Then he began the work of binding the doomed Americano. When he had done, to the doubled rope of braided rawhide that was about the roan stallion, he made Carmelita’s lover fast with the riata he had taken from Nicolás. He removed it slowly from the man’s neck (the señor should not have his eyes closed too quickly to the valley through which he would pass!) and he put it about the body, under the arms. Lucas was lingering now over his work like one engaged in some pleasant occupation.