But see! the scene has changed--here is a merry-making; a crowd of flower-wreathed lads and lasses enter, and the harmonious dance, instinct with life and motion,--the poetry of human limbs,--unrolls itself before our eyes.

And so the pretty drama goes forward. An idyl of the golden age; of that glorious epoch when virtue was always triumphant, and vice was always exposed and crushed.

But the play is over; and the audience stream back, laughing and chatting, under the stars, down the long, fruit-embowered streets, to their flower-bedecked, humble homes.

And how little it costs to make mankind happy!

And what do we miss in all this joyous scene? Why, where are the wolves, that used to prowl through the towns and cities of the world that has passed away? The slinking, sullen, bloody-mouthed miscreants, who, under one crafty device or another, would spring upon, and tear, and destroy the poor, shrieking, innocent people--where are they?

Ah! this is the difference: The government which formerly fed and housed these monsters, under cunning kennels of perverted law, and broke open holes in the palisades of society, that they might crawl through and devastate the community, now shuts up every crevice through which they could enter; stops every hole of opportunity; crushes down every uprising instinct of cruelty and selfishness. And the wolves have disappeared; and our little world is a garden of peace and beauty, musical with laughter.

And so mankind moves with linked hands through happy lives to deaths; and God smiles down upon them from his throne beyond the stars.

End of Caesar's Column by Ignatius Donnelly