whole earth, is to again set them free. In the depths of cavern-prison they may still be heard, wailing and their cave, moaning, when the snows melt and the waters swell in the lake."[1]
Here we have the usual mingling of fact and myth. The legend describes accurately, no doubt, the awful appearance of the tossing earth and the falling fire and débris; the people flying to rivers and taking shelter in the caves) and some of them closed up in the caves for ever.
The legend, as is usual, accommodates itself to the geography and topography of the country in which the narrators live.
In the Aztec creation-myths, as preserved by the Fray Andres de Olmos, and taken down by him from the lips of those who narrated the Aztec traditions to him, we have an account of the destruction of mankind by the sun, which reads as follows:
The sun had risen indeed, and with the glory of the cruel fire about him, that not even the eyes of the gods could endure; but he moved not. There he lay on the horizon; and when the deities sent Tlotli, their messenger, to him, with orders that he should go on upon his way, his ominous answer was that he would never leave that place till he had destroyed and put an end to them all. Then a great fear fell upon some, while others were moved only to anger; and among the others was one Citli, who immediately strung his bow and advanced against the glittering enemy. By quickly lowering his head the sun avoided the first arrow shot at him; but the second and third had attained his body in quick succession, when, filled with fury, he seized the last and launched it back upon his assailant. And the brave Citli laid shaft to string never more, for the arrow of the sun pierced his forehead. Then all was dismay in the assembly of the gods, and despair filled their hearts, for they saw that
[1. Bancroft's "Native Races," vol. iii, p. 89.]
170 THE LEGENDS.
they could not prevail against the shining one; and they agreed to die, and to cut themselves open through the breast. . Xololt was appointed minister, and he killed his companions one by one, and last of all he slew himself also. . . . Immediately after the death of the gods, the sun began his motion in the heavens; and a man called Tecuzistecatl, or Tezcociztecatl, who, when Nanahuatzin leaped into the fire, had retired into a cave, now emerged from his concealment as the moon. Others say that instead of going into a cave, this Tecuzistecatl had leaped into the fire after Nanahuatzin, but that the heat of the fire being somewhat abated he had come out less brilliant than the sun. Still another variation is that the sun and moon came out equally bright, but this not seeming good to the gods, one of them took a rabbit by the heels and slung it into the face of the moon, dimming its luster with a blotch whose mark may be seen to this day."[1]
Here we have the same Titanic battle between the gods, the godlike men of old--"the old ones"--and the Comet, which appears in the Norse legends, when Odin, Thor, Prey, Tyr, and Heimdal boldly march out to encounter the Comet and fall dead, like Citli, before the weapons or the poisonous breath of the monster. In the same way we see in Hesiod the great Jove, rising high on Olympus and smiting Typhaon with his lightnings. And we shall see this idea of a conflict between the gods and the great demon occurring all through the legends. And it may be that the three arrows of this American story represent the three comets spoken of in Hesiod, and the Fenris-wolf, Midgard-serpent, and Surt or Garm of the Goths: the first arrow did not strike the sun; the second and the third "attained its body," and then the enraged sun launched the last arrow back at Citli, at the earth; and thereupon despair filled the people, and they prepared to die.
[1. Bancroft's "Native Races," vol. iii, p. 62.]