Marie Antoinette and the Downfall of Royalty

by Imbert de Saint-Amand

So the little Philipon wanted to take the chief place in the fruiterer's shop, just as, later on, she desired it on the political stage or the Ministry of the Interior. This enemy of privileges will admit them only for herself. In everything she made pretentions: pretentions to elegance, beauty, distinction, talent, knowledge, eloquence, genius, and, when she wanted to be simple, to simplicity. In her style as in her conversation, in her public as in her private life, what she sought before all things was effect. It was absolutely essential that people should talk about her, that she should be playing a part, or standing on a pedestal. Assuredly, if she had a fault, it was not excess of modesty. She regarded herself as the flower of her sex, a superior woman, made to be loved, flattered, and adored. She speaks of her charms with the precision of a doctor and the enthusiasm of a poet. Not one of her perfections escapes her. It is through a magnifying-glass and before a mirror that she studies and admires herself. She discovers that a society in which a woman so remarkable and so attractive is not thoroughly well known, must be badly organized. Middle-class by birth, and aristocratic by instinct, she represents what one might then have called the new social strata. A secret voice told her that the day was to come when she would make herself feared by the powerful of the earth, those giants with feet of clay who, at the beginning of her career, were still looked at kneeling. Banished by fate from the theatre where the human tragi-comedy is played, she said to herself: "I too will have a part one of these days." In the earliest stage of her existence there was in her a confused medley of uneasiness and ambition, of spite and anger. She had a horror of the slightly disdainful protection of people of quality. She conceived an aversion for persons like that Demoiselle d'Hannaches, "big, awkward, dry, and yellow," infatuated with her nobility, annoying everybody with her titles, and yet, in spite of her ignorance, her stiff manners, her old-fashioned dress and her follies, well received everywhere on account of her birth.

Slowly, but steadily, the future amazon of the Revolution prepared herself for the combat. The books which she read and re-read incessantly were the arsenal whence she drew her weapons. One of those presentiments which do not deceive, promised her a stormy but illustrious destiny. More Roman than French, more pagan than Christian, she longed for glory like that of the heroines of Plutarch, her favorite author. In the humble dwelling of her father, situated at the corner of the Pont-Neuf and the Quai des Orfévres, she caught a glimpse of horizons as wide as her thoughts. "From the upper part of our house," she says, "a great expanse offered itself to my dreamy and romantic imagination. How often from my north window have I contemplated with emotion the deserts of the sky, its superb azure vault splendidly outlined from the bluish dawn far behind the Pont du Change, to the sunset gilded with a faint purplish lustre behind the trees of the Champs Elysées and the houses of Chaillot."

Irritated with the obscurity to which she was condemned by fate, there was but one resource which could have consoled her for the social inequalities which bruised her vanity and her pride. That resource would have been religion. Nothing but an ideal of humility could have appeased the interior revolts of this soul of fire. To such a woman, what is lacking is heaven. Earth, no matter what happens, can give her nothing but deceptions. The only moment of her life when she felt herself really happy was that when she enjoyed the supreme good, peace of heart. Of all parts of her Memoirs, the most pure and touching are those she devotes to her recollections of the convent. One might think that the author of Rolla had remembered them when he described in such penetrating terms the mystic poetry of the cloister, and the regrets often engendered by the loss of faith in the minds and hearts of people who have become unbelievers.

The little Philipon, being in her twelfth year, asked to be sent to a convent, in order to prepare better for her first communion. She was placed with the Ladies of the Congregation, rue Neuve-Saint-Étienne, in the Faubourg Saint-Marcel, near Sainte-Pélagie, her future prison: "How I pressed my dear mamma in my arms at the moment of parting from her for the first time! I was stifled, overwhelmed; but I obeyed the voice of God, and crossed the threshold of the cloister, offering Him with tears the greatest sacrifice that I could make. The first night I spent at the convent was agitated: I was no longer under the paternal roof. I felt that I was far from that good mother who was surely thinking of me with tenderness. There was a feeble light in the room where I had been put to bed, with four other children of my own age; I rose quietly and went to the window. The moonlight permitted me to see the garden upon which it looked. The most profound silence reigned; I listened to it, so to say, with a sort of respect; great trees cast their gigantic shadows here and there, and promised a safe refuge for tranquil meditation. I lifted my eyes to the pure and serene sky, and thought I felt the presence of the Divinity, who smiled at my sacrifice and already offered me its recompense in the peace of a celestial abode. Delicious tears flowed slowly down my cheeks; I reiterated my vows with a holy transport, and I enjoyed the slumber of the elect."

As if in these silent cloisters, which she crossed slowly so as to enjoy their solitude more fully, she had a presentiment of the storms in her destiny and her heart, she sometimes stopped beside a tomb on which was engraven the eulogy of a holy maiden. "She is happy!" she said to herself with a sigh. While she was in prison she remembered with emotion a novice's taking the veil: "I experience yet the thrill caused by her faintly tremulous voice when she chanted melodiously the customary versicle: 'Elegi: Here I have chosen my abode, and I will not depart from it forever.' I have not forgotten the notes of this little air; I can repeat them as exactly as if I had heard them yesterday."

Unhappily, religious ideas were soon to undergo a change in the mind of the future Madame Roland. Returning to the paternal dwelling, she was badly brought up there; her mother let her read everything, even Candide. Voltaire, Helvétius, Diderot, had no secrets for this young girl. Extreme disorder and confusion in mind and heart were the result. When she had the misfortune to lose her mother at the age of twenty-one, the book in which she sought consolation was the Nouvelle Héloise. Jean-Jacques became her god. "It seems," she says, "as if he were my natural aliment and the interpreter of the sentiment I had already, and which he alone knew how to explain to me.... To have the whole of Jean-Jacques," she says again, "to be able to consult him incessantly, to enlighten and elevate one's self with him at all times of life, is a felicity which can only be tasted by adoring him as I did." Such reading robbed her of faith. It made her a free-thinker and a bluestocking. It inspired her with an unhealthy ambition, sullied her imagination, and troubled the peace of her heart. It deprived her of that moral delicacy, lacking which, even virtue itself loses its charms. She was no longer anything but a young girl, well-conducted but not pure, honest but shameless.

Was not a day coming when, a prisoner and on the point of getting into the fatal cart, she would throw off the terrible anxieties of her situation in order to imitate the impurities of the Confessions of Jean-Jacques, and retrace indecent details with complacency? Do not seek in her that flower of innocence which is the young girl's grace. The charming puritan does not commit great faults, but she has astonishing licenses of thought and speech. For her, Louvet's Faublas is "one of those charming romances known to persons of taste, in which the graces of imagination ally themselves to the tone of philosophy." Is not this woman, who begins her life like a saint and ends it as a pupil of Voltaire and Jean-Jacques Rousseau, the symbol of that troubled eighteenth century which opened in fidelity to religious faith and closed in the depths of the abyss of incredulity? The ravages caused by bad reading in the soul of this young girl explain the catastrophes of the entire century.

From the time when she replaced the Gospels by the Contrat Social and the Imitation of Jesus Christ by the Nouvelle Héloise, there was no longer anything simple or natural remaining in the young philosopher. All her thoughts and actions became declamatory. There was something theatrical in her attitudes and gestures, and even in the sound of her voice. Her speech was rhythmical, cadenced, marked by a special accent. Even her private letters often resemble the amplifications of rhetoric rather than the effusions of friendship. One might say that their author had a presentiment that they would be printed. She wrote to Mademoiselle Sophie Cannet, January 3, 1776: "In any case, burn nothing. Though my letters were one day to be read by all the world, I would not hide the only monuments of my weakness, and my sentiments." Monuments of weakness—is not the expression worthy of the bombast of the time?

Not finding love, Mademoiselle Philipon married philosophically. Her union bears a striking imitation to that of Héloise with M. de Volmar. "Looking her destiny peacefully and tenderly in the face, greatly moved but not infatuated," she united herself to a man whom she esteemed but did not love. This was Roland de la Platière, who was descended from an ancient and very honorable middle class family. Though not rich, he was at least comfortably well off. "Well educated, honest, simple in his tastes and manners, he fulfilled his duties as inspector of manufactures in a notable way. The marriage was celebrated on February 4, 1780. Roland was forty-six years old, while his wife was not yet twenty-six. Thin, bald, careless in his dress, the husband was not at all an ideal person. It had taken him five years to declare his passion, and this hesitation, as his wife was to write thirteen years later, "left not a vestige of illusion in his sentiments." "I have often felt," says she, "that there was no similarity between us. If we lived in retirement, I spent many painful hours; if we mingled in society, I was loved by persons among whom I perceived there were some who might affect me too much; I plunged into labor with my husband.... It was a long time before I gained courage to contradict him."

M. Roland was sent to Amiens, where his wife presented him with a daughter, whom she nursed, and afterwards brought up with the utmost tenderness and devotion. In 1784, he was summoned to Lyons, where he found himself once more in his native region. Thenceforward he spent two of the winter months in Lyons, and the remainder of the year on his paternal domain, the Close of Platière, two leagues from Villefranche, surrounded by woods and vineyards, and opposite the mountains of Beaujolais. While her husband went to take possession of his new post, Madame Roland, not yet a republican, remained a few weeks in Paris in order to obtain, if possible, the patent of nobility so ardently desired by the family. Her solicitations proved unsuccessful, and the married pair, despairing of becoming nobles, consoled themselves by a frank avowal of democracy.