Supposing that, instead of being merely an insignificant commoner, Madame Roland had been born in the ranks of aristocracy, had enjoyed the right of sitting down in the presence of Their Majesties at Versailles, and had shone at the familiar entertainments of the Trianon, she would doubtless have shared the sentiments and ideas of the women of the old régime, and, like the Princess de Lamballe or the Duchess de Polignac, have shed tears of compassion over the Queen's misfortunes. Fate, in placing her in a subordinate position, made her an enemy and a rebel. She anathematized the society in which her rank bore no relation to her lofty intelligence and her need of domination. When, from the upper window of her father's house on the Quai des Orfèvres, beside the Pont-Neuf, she saw the brilliant retinue of Marie Antoinette pass by on their way to Notre Dame to return thanks to God for some happy event, she grew angry at all this pomp and glitter, so much in contrast with her own obscure condition. What crimes have been engendered by the sentiment of envy! The furies of the guillotine were above all things envious. They were delighted to see in the fatal cart the woman whom they had formerly beheld in gala carriages resplendent with gold. Madame Roland certainly ought not to have carried her hatred to such a pitch; but had she not demanded in 1789, when speaking of Louis XVI. and the Queen, that "two illustrious heads" should be brought to trial? Who knows? If, in 1784, she had obtained the patent of nobility for her husband which at that period she solicited so ardently, she might have become sincerely royalist! But having remained, despite herself, in the citizen class, she retained and personified, to her latest hour, its rancor, pettiness, and wrath. What figure could she have made at Versailles, or even at the Tuileries? In the midst of great lords and noble ladies the haughty commoner would have been out of place; she would have stifled. It was chiefly on that account that she attached herself to the new ideas. She told herself that so long as royalty lasted, she would always be of small importance; while, if the republic were established, she might aspire to anything. Though her husband was one of the King's ministers, she became daily more adverse to the monarchy, and Roland, following her counsels, was like a pilot whose whole intent is to make the vessel founder, even though he were to perish with its crew.
It is a sad thing to say, but even their community in suffering did not disarm Madame Roland's hate for Marie Antoinette. It was in prison, on the eve of ascending the scaffold herself, that she wrote concerning Louis XVI. and the Queen: "He was led away by a giddy creature who united the presumption of youth and grandeur to Austrian insolence, the intoxication of the senses, and the heedlessness of levity, and was herself seduced by all the vices of an Asiatic court, for which she had been too well prepared by the example of her mother." Ah! why were not these cruel lines effaced by the tears Madame Roland shed in floods over the pages she was writing, and of which the traces still remain on the manuscript of her Memoirs? Why did she not sympathize in the grief of Marie Antoinette, separated from her children, when in speaking of her daughter Eudora, she wrote: "Good God! I am a prisoner, and she is living far from me! I dare not even send for her to receive my embraces; hatred pursues even the children of those whom tyranny persecutes, and mine, with her eleven years, her virginal figure, and her beautiful fair hair, could hardly appear in the streets without creatures suborned or deluded by falsehood pointing her out as the offspring of a conspirator. Cruel wretches! how well they know how to tear a mother's heart!"
Why were these two women political adversaries? Both sensitive, both artistic, with inexhaustible sources of poetry and tenderness at heart, they were born for gentle emotions and not for horrible catastrophes. Who, at their dawning, could have predicted for them such an appalling night? Like Marie Antoinette, Madame Roland loved nature and the arts. She felt the profound and penetrating charm of the fields. She drew, she played on the harp, guitar, and violin, and she sang. "No one knows," she wrote a few moments before her death, "what an alleviation music is in solitude and anguish, nor from how many temptations it can save one in prosperity." She had sung the same romances as the Queen. The same poets had inspired and affected each.
Does not this most feminine passage in Madame Roland's Memoirs recall the character of the mistress of the Little Trianon? "I always remember the singular effect produced on me by a bunch of violets at Christmas; when I received them I was in that condition of soul often induced by a season favorable to serious thought. My imagination slumbered, I reflected coldly, and I hardly felt at all; suddenly the color of these violets and their delicate perfume struck my senses; it was an awakening to life.... A rosy tinge suffused the horizon of the day." Would not this cry of Madame Roland in her captivity suit Marie Antoinette as well? "Ah! when shall I breathe pure air and those soft exhalations so agreeable to my heart?" And might not the daughter of the great Maria Theresa have cried, like the daughter of Philipon the engraver? "Adieu! my child, my husband, my friends. Adieu! sun whose brilliant rays brought serenity to my soul, as if they were recalling it to the skies. Adieu! ye solitary fields which have so often moved me."
What must not these two keenly sensitive women have had to suffer at the epoch when France became a hell? They have each believed in the amelioration of the human species and the return of the golden age to earth, and what will their awakening be, after such alluring dreams? Men will be as unjust, as wicked, as cruel to the republican as to the queen. She, too, will be drenched with calumnies and outrages. They will insult her also in the most cowardly and ferocious manner. Under the very windows of her dungeon she will hear the hawkers crying: "Great visit of Père Duchesne to Citizeness Roland, in the Abbey prison, for the purpose of pumping her." The ignoble journalist will call her "old sack of the counter-revolution." He will say to her with his habitual oaths: "Weep for your crimes, old fright, before you expiate them on the scaffold!" The wife of Louis XVI. and the wife of Roland will die within twenty-three days of each other: one on October 16, the other on November 8, 1793. They will start from the same prison of the Conciergerie, to be led to the same Place Louis XV., to have their heads cut off by the blade of the same guillotine. The commoner who had been so jealous of the Queen, can no longer complain. If the lives of the two women have been different, they will at least have the same death; and the doer of the noble deeds of the régime of equality, the headsman, will make no distinction between the two victims, between the veritable sovereign, the Queen of France and Navarre, and the sovereign of a day, whom Père Duchesne, as insolent to one as to the other, will no longer speak of except under the sobriquet of Queen Coco.