What enthusiasm, what infatuation, for this guillotine, already so famous and destined to be so much more so! The editors of the Moniteur declare in a lyric outburst that it is worthy of the approaching century. The truth is that it accelerates and makes less difficult the executioner's task. In the end the crowd would become disgusted with massacres. The delays of the gibbet would weary their patience. The sans-culottes, who doubtless have a presentiment of all that is going to happen, welcome the guillotine, then, with acclamations. At the Ambigu theatre a ballet-pantomime, called Les Quatre Fils Aymon, is given, and all Paris runs to see the heads of all four fall at once, in the midst of loud applause, under the blade of the good doctor's machine. People amuse themselves with their future instrument of torture as if it were a toy. In a Girondin salon they play at guillotine with a moveable screen that is lifted and let fall again. At elegant dinners a little guillotine is brought in with the dessert and takes the place of a sweet dish. A pretty woman places a doll representing some political adversary under the knife; it is decapitated in the neatest possible style, and out of it runs something red that smells good, a liqueur perfumed with ambergris, into which every lady hastens to dip her lace handkerchief. French gaiety would make a vaudeville out of the day of judgment. Poor society, which passes so quick from gay to grave, from lively to severe, and which, like the Figaro of Beaumarchais, laughs at everything so that it may not weep!
II.
COUNT DE FERSEN'S LAST JOURNEY TO PARIS.
It has been supposed until lately that after the day when he bade farewell to the royal family at the beginning of the Varennes journey, Count de Fersen never again saw Marie Antoinette. A new publication of very great importance proves that this is an error, and that the Swedish nobleman came to Paris for the last time in 1792, and had several interviews with the King and Queen. This publication is entitled: Extraits des papiers du grand maréchal de Suède, Comte Jean Axel de Fersen, and is published by his great-nephew, Baron de Kinckowstrom, a Swedish colonel. There is something romantic in this episode of the mysterious journey made by Marie Antoinette's loyal chevalier, which merits to leave a trace in history.
Fersen was one of those men whose sentiments are all the more profound because they know how to veil them under an apparently imperturbable calm. A soul of fire under an exterior of ice, as the Baroness de Korff describes him, courageous to temerity, devoted to heroism, he had conceived for Marie Antoinette one of those disinterested and ardent friendships which lie midway between love and religion. Almost as much a Frenchman as he was a Swede, he did not forget that he had fought in America under the standard of the Most Christian King, and had been colonel of a regiment in the service of France. Having been the courtier of the happy and brilliant Queen, he remained the courtier of the Queen overcome by anguish. He had enkindled in the soul of his sovereign, Gustavus III., the same chivalrous sentiment which animated his own, and was impatiently awaiting the time when he could hasten to the aid of Louis XVI. and Marie Antoinette under the Swedish flag. His dearest ambition was to draw his sword in the Queen's defence. From the Varennes journey up to the day of Marie Antoinette's execution, he had but one thought: to rescue the woman for whom he would willingly have shed the last drop of his blood. This fixed idea has left its trace on every line of his journal. The sad and melancholy countenance of Fersen, the courtier of misfortune, the friend of unhappy days, is assuredly one of the celebrated types in the drama of Versailles and the Tuileries. This man, who would have made no mark in history but for the martyr Queen, is certain, thanks to her, not to be forgotten by posterity. Marie Antoinette was to return him in glory what he gave her in devotion.
On her return to the Tuileries after the disastrous journey to Varennes, the Queen wrote to Fersen, June 27, 1791: "Be at ease about us; we are living," and Fersen replied: "I am well, and live only to serve you." June 29, she wrote him another letter in which she said: "Do not write to me; it would endanger us; and, above all, do not return here under any pretext; all would be lost if you should make your appearance. They never lose sight of us by night or day; which is a matter of indifference to me. Be tranquil; nothing will happen to me. The Assembly desires to treat us with gentleness. Adieu. I shall not be able to write to you again."
Marie Antoinette was in error when she supposed she would not write again. She was in error, likewise, when she imagined that Fersen, in spite of all dangers and difficulties, would not find means to see her again. Their correspondence was not interrupted. After the acceptance of the Constitution, Marie Antoinette wrote to him: "Can you understand my position and the part I am continually obliged to play? Sometimes I do not understand myself, and am obliged to consider whether it is really I who am speaking; but what is to be done? It is all necessary, and be sure our position would be still worse than it is if I had not at once assumed this attitude; we at least gain time by it, and that is all that is required. I keep up better than could be expected, seeing that I go out so little and endure constantly such immense fatigue of mind. What with the persons whom I must see, my writing, and the time I spend with my children, I have not a moment to myself. The last occupation, which is not the least, gives me my sole happiness. When I am very sad, I take my little boy in my arms, embrace him with my whole heart, and for a moment am consoled."
Fersen, touched and pitying, was constantly thinking of that fatal palace of the Tuileries where the Queen was so much to be compassionated. An invincible attraction drew him thither. There, he thought, was the post of devotion and of honor. November 26, he wrote: "Tell me whether there is any possibility of going to see you entirely alone, without a servant, in case I receive the order to do so from the King (Gustavus III.); he has already spoken to me of his desire to bring this about." Of all the sovereigns who interested themselves in the fate of Louis XVI. and Marie Antoinette, Gustavus was the most active, brave, and resolute; he was also the only one in whom Marie Antoinette placed absolute confidence. She expected less from her own brother, the Emperor Leopold, and it was to Stockholm above all that she turned her eyes. Gustavus ordered Fersen to go secretly to Paris, and on December 22, 1791, he sent him a memoir and certain letters, commissioning him to deliver them to Louis XVI. and Marie Antoinette. He recommended, as forcibly as he could, a new attempt at flight, but with precautions suggested by the lesson of Varennes. He thought the members of the royal family should depart separately and in disguise, and that, once outside of his kingdom, Louis XVI. should call for the intervention of a congress. The following passage occurs in the letter of the Swedish King to Marie Antoinette: "I beg Your Majesty to consider seriously that violent disorders can only be cured by violent remedies, and that if moderation is a virtue in the course of ordinary life, it often becomes a vice when there is question of public matters. The King of France can re-establish his dominion only by resuming his former rights; every other remedy is illusory; anything except this would merely open the way to endless discussions which would augment the confusion instead of ending it. The King's rights were torn from him by the sword; it is by the sword that they must be reconquered. But I refrain; I should remember that I am addressing a princess who, in the most terrible moments of her life, has shown the most intrepid courage."