VII
MADAME DE POMPADOUR, LADY OF THE QUEEN’S PALACE

Madame de Pompadour was ready to play all parts in order to preserve her empire. To be an actress and a political woman was not enough; she willingly consented to become by turns, and simultaneously if need were, a devotee and a procuress, to favorize now the Church and now the Deer Park, to submit to every transformation, every servitude: Omnia serviliter pro dominatione. Never did any minister cling more firmly to his portfolio, never had any ambitious man a greater thirst for power.

Louis XV. had a substratum of religion which made the favorite uneasy. The day he insisted on her reading one of Bourdaloue’s sermons she was frightened. With all her audacity she never dared to criticise the Church in the presence of the Most Christian King; for irregular as his own conduct was, he would not suffer the faith of his fathers to be insulted in his hearing. To keep her place, the Marquise would have asked nothing better than to assume the austere demeanor of a Madame de Maintenon; but she was married, unfortunately, and so was the King, and Catholicism has never compromised with concubinage or adultery. Hence Madame de Pompadour sought to avert the difficulty. She put on a half-way devotion which was wholly worldly, made for show, a sort of compromise between God and the devil, between the Church and the boudoir, the oratory and the alcove, a spurious, derisory, hypocritical devotion, examples of which are given by many women of our own century as well as of the last.

She had determined to make a figure in the Versailles chapel from the time her favor began. She meant to shine everywhere, even before the altars. It was this that made her request the Queen’s authorization to carry one of the basins at the ceremony of feet washing on Maundy Thursday, and collect the offerings at the High Mass on Easter Sunday. But easy as she was where no one but herself was concerned, Marie Leczinska became severe where God was in question: she refused.

The Jubilee of 1751 redoubled the anxieties of the Marquise. D’Argenson wrote, February 2: “People assert that the King will gain his Jubilee and make his Easter Communion. The Marquise says there is no longer anything but friendship between the King and her, and that they will put a fortnight’s retreat and truce even to this friendship.” The attitude of a repentant Magdalen would not have suited a woman like Madame de Pompadour. She was willing enough for a little devotion, but of an elegant and worldly sort, ostentatious and luxurious. The theatre, in a word, pleased her much better than the church. D’Argenson wrote again, February 6: “All Paris has been talking of the representation of Thétis et Pélée, eight days ago, at which the Marquise de Pompadour was present. The actors addressed her directly in the gallant parts, such as, ‘Reign, beautiful Thetis!’ This she received with a triumphant air which a woman of different extraction would not have assumed; for some feed their vanity on what others could not endure without shame.” But what afflicted the haughty favorite was the thought that all this success might topple over in an instant, like a house of cards. At the very time when, always an actress, even under the deceptive appearances of her so-called repentance, she was having a statue of herself as the goddess of Friendship made for Bellevue, she had several attacks of fever—people called it the Jubilee fever.

Madame de Mailly, the woman with whom Louis XV. had begun his scandalous life, was at this time at her last extremity. One reads in the Memoirs of the Marquis d’Argenson, under date of March 27, 1751: “Madame de Mailly, former mistress of the King, is dying. It was thought she was better, but the inflammation of the lungs is increasing, and she has a hopeless fever. The King has not even once sent openly to make inquiries, but the Marquis de Gontaud has bulletins four times a day and transmits them to the King, who is afraid of offending Madame de Pompadour. I am convinced he will be much affected by her death. The pious people, those who believe in Providence, remark that, the King having had the three sisters, they have all died young. This one, who was the first, and not incestuous, is dying piously and the death of the just: it is even through her religious practices that she contracted her malady; apparently she will have a holy death. The other two died in horrible anguish, and much younger. People reflect also that God is so desirous of the King’s conversion, that this death happens just in the Jubilee time, so as to touch His Majesty, already prepared by sermons and disposed to make his Jubilee sincerely. However, in the cabinets, divertisements and ballets are still going on secretly.”

In Barbier’s journal are encountered similar reflections on the terrors of the Marquise: “Everybody,” he writes, “is carefully watching for what will happen at the Jubilee. They say Madame de Pompadour dreads the results of it. There are many at the court, not merely ecclesiastics, but men and women who are expecting this event to ruin the Marquise, whose abuse of her position has for some time gained her the hatred of all the nobles. The King can hardly remain at Versailles without making his Jubilee. Public prejudice is carried to the point of respecting the Jubilee more than the Easter duties which are of obligation. If he makes his Jubilee, he cannot well return to the château of Bellevue a fortnight later, and a month’s absence would be dangerous. There are lovers of the court who are now forming a plan to find a new mistress for the King after the Jubilee; for, melancholy as it may be, he must have some diversion; and if he should altogether fear the devil and decide on amendment, this would be not at all amusing for the nobles. This event, then, which is not far distant, is what is agitating the public high and low.”

Madame de Mailly breathed her last March 30. In her will she had asked to be buried in the cemetery, among the poor, and to have a wooden cross. The Marquis d’Argenson writes: “These austerities, penances, and poverty increase the adverse opinion against her who now occupies her former place and whose conduct is so very different. It is also remarked, for the honor of religion, that Madame de Mailly, who was often subject to fits of ill temper, which was the cause of her being banished by the King, had become as mild and equable as possible. People say that if she was not holy, no other woman ever will be.”

But Madame de Pompadour was once more victorious. The King did not allow himself to be touched by the death of his former mistress, and, spite of the warnings of heaven, he did not make his Jubilee. Still the Marquise was not tranquil. D’Argenson wrote, December 11, 1752: “Madame de Pompadour has been spitting blood since her youth. Et in peccato concepit eam mater sua. She is becoming as dry as a stick, and one can see her growing thin with jealousy.” And September 17, 1753: “The King is becoming superstitiously devout, respecting the clergy more than morals. Marshal de Richelieu said to me in a jesting way: ‘The King shows angelic devotion. He won’t do anything without the episcopate in the affairs of Languedoc.’”

Madame de Pompadour no longer appealed to the senses of Louis XV. Sensuality failing her, she would have liked to be able to press religion into her service. She sought to create a new rôle for herself as favorite, more minister than mistress; to legitimate by duration as well as by a certain decorum her liaison with the King; to assume, in brief, an attitude as friend, counsellor, I might almost say matron.