The next year—the year of the coronation—Madame returned to her favorite city. She arrived there the 2d of August, 1825. More than twenty thousand persons were awaiting her at the boundary of the district, and her entry was triumphal. The 6th of August, the actors of the Gymnase, come from Paris, gave a theatrical representation in her honor.
Madame made many excursions by sea. There was on her boat a tent of crimson silk, above which floated the white flag. The little flotilla of the royal navy had manoeuvres in her honor, and saluted her with salvos of artillery. The 10th of September, the Princess made an excursion to Bacqueville, where there awaited her a numerous cortege of Cauchois women, all on horseback, in the costume of the country. The 12th, she breakfasted in the ship Le Rodeur, and a recently constructed merchant vessel was launched in her presence. She departed the 14th, promising to return the following year.
Accordingly, Madame left Paris for Dieppe the 7th of August, 1826. The morrow of her arrival, she assisted at the inauguration of a new playhouse that had been built within six months. The mayor presented the Princess with some keys, artistically worked—the keys to her loge and to her salon. The prologue of the opening piece, entitled La Poste Royale, was filled with delicate allusions and compliments. The 17th of August, there was a performance offered by Madame to the sailors and soldiers of the garrison. From his place in the parterre a subordinate of the 64th regiment of the line sang, in honor of the Princess, some couplets expressing the sentiments of his comrades.
The 19th, there was a visit to the ruins of the Chateau of Arques, immortalized by the victory of Henry IV. An agreeable surprise for Madame was a comedy for the occasion improvised by the actors of the Vaudeville. When the Princess presents herself before the Chateau, a little peasant girl at first refuses her admittance. She has received orders, she says, from her father and mother to open to no one, no matter whom. But the air Vive Henri IV. is heard, and straightway both doors are opened wide to the Princess. An old concierge and his wife sing piquant verses about their first refusal to open to her. From here Madame is guided by the little peasant girl to the entrance of an ancient garden, where she perceives the whole troupe in the costume of gardeners and garden girls. She is offered bouquets and escorted to a dairy at the extremity of the ruins. The band of the guard plays for her her favorite air, Charmante Gabrielle. A young milk-maid—the pretty actress Jenny Colon—offers her a cup of milk and sings couplets that please her greatly. Then comes the husband of the dairy-maid and recounts to the grand-daughter of Henry IV. the victory won by her ancestor over the Duke of Mayenne. A little later, Madame is conducted to the foot of an ancient tower, whence there is a view of immense extent. Here she is arrested by the songs of an ancient minstrel, whose voice is accompanied by mysterious music hidden in the hollows of the ruins.
Going from surprise to surprise, the Princess trav erses a long arch of verdure where she reads on escutcheons the dates dear to her heart. At the end of this long avenue, she again finds the entire troupe of the Vaudeville, who re-escort her to the gates of Chateau, singing a general chorus of farewell, amid cries of "Long live the King! Long live Madame!" the effect of which is doubled by repeated salutes of artillery.
Some days later, the 7th of September, the Duchess of Berry learned, during the day, that a frightful tempest threatened to engulf a great number of fishing-boats which were coming toward port. Instantly she countermanded a ball that she was to give that evening. She proceeded in all haste to the point whence aid could be given to these unfortunates. Clinging to a little post on the jetty, which the waves covered from all sides, she directed and encouraged the rescue. The Dieppe correspondence of the Moniteur said:—
"What has been seen at Dieppe alone, is a young Princess, braving all the dangers of a wild sea, re maining on the end of the jetty to direct the succor of the fishing-boats that were seeking refuge in the harbor. She seemed placed there by the Deity as a protecting angel, and the sailors who saw her took courage again."
She withdrew from the dangerous place, which she called her post, only when all the barks had entered port. One man only had perished. Before even changing her clothing the Princess sent relief to his widow.
By her kindness, her charity, her grace, Madame won all hearts. Her protection revived at Dieppe the commerce in ivory and laces. She gave two brevets, one in her own name, the other in that of Mademoiselle, to the best two manufacturers in the city, and made considerable purchases. She founded at her expense, under the direction of the Sisters of Providence, a manufactory of laces where a large number of young girls obtained at the same time the means of living and the benefits of a Christian education. Between the Princess and her good city of Dieppe there was a constant exchange of delicate attentions and proofs of sympathy. When she was spoken to of preparations for departure, "Already?" she said sadly. She left the 19th of September, 1826, and returned the following year.
The 6th of August, 1827, Madame made an entry to Dieppe by the hamlet of Janval. A great crowd went to visit her, and greeted her with enthusiastic cheers. The 13th of August, the city offered her a great ball, at which more than twelve hundred persons attended. On the 16th, the portrait of the Princess was unveiled at the Hotel de Ville. At the moment that the veil was raised, the band of the fifth regiment of the royal guard played the air of Vive Henri IV. amid long applause. The mayor of Dieppe, M. Cavalier, pronounced a discourse in which he expressed the gratitude of the inhabitants, and promised that the cherished image should be surrounded, age after age, by the veneration of a city whose history was one of constant devotion to its Kings. In the evening Madame gave a soiree at which the hereditary Princess of Hesse-Darmstadt was present. Rossini was at the piano and sang with his wife and with Balfe; Nadermann played the harp.