“Question No. 2. I haven’t any plans of my own at present and I am quite eligible to the thing you suggest. You say that no one wants to read anything about the war. I don’t blame them. I wish I could fall asleep for a month and wake up with no recollection of it. I suppose it’s that state of mind which prevents people from writing their recollections immediately. Of course we’ll all do that ultimately, I suppose—even people who, like myself, aren’t professional writers. Don’t imagine that I’m going on with the writing game. I haven’t the divine afflatus. I’m just letting myself drift along with these two jobs until I get that guerre out of my system; can look around to find what I really want to do. I’m willing to write my experiences within a reasonable interval; but not at once. Everything is as vivid in my mind of course as it’s possible to be; but I don’t want to have to think of it. That’s why your suggestion in regard to Lutetia Murray strikes me so favorably. I should really like to do that biography. I’m in the mood for something gentle and pastoral. And then of course I have a sense of proprietorship in regard to Lutetia, not alone because she was my literary find or that it was my thesis on her which got me my A in English 12. But, in addition, I developed a sort of platonic, long-distance, with-the-eye-of-the-mind-only crush on her. And yet, I don’t know....”
Again Lindsay’s eyes came up from his paper. For the third time he ignored Washington Square swarming with lumbering green busses and dusky-haired Italian babies; puppies, perambulators, and pedestrians. Again his glance went mechanically to the door leading to the back of the apartment.
“You certainly have left an atmosphere in this joint, Spink. Somehow I feel always as if you were in the room. How it would be possible for such a pop-eyed, freckle-faced Piute as you to pack an astral body is more than I can understand. It’s here though—that sense of your presence. The other day I caught myself saying, ‘Oh, Spink!’ to the empty air. But to return to Lutetia, I can’t tell you how the prospect tempts. Once on a permission in the spring of ’16, I finds myself in Lyons. There are to be gentle acrobatic doings in the best Gallic manner in the Park on Sunday. I gallops out to see the sports. One place, I comes across several scores of poilus—on their permissions similar—squatting on the ground and doing—what do you suppose? Picking violets. Yep—picking violets. I says to myself then, I says, ‘These frogs sure are queer guys.’ But now, Spink, I understand. I don’t want to do anything more strenuous myself than picking violets, unless it’s selling baby blankets, or holding yarn for old ladies. Perhaps by an enormous effort I might summon the energy to run a tea-room.”
Lindsay stopped his typewriting again. This time he stared fixedly at Washington Square. His eyes followed a pink-smocked, bob-haired maiden hurrying across the Park; but apparently she did not register. He turned abruptly with a—“Hello, old top, what do you want?”
The doorway, being empty, made no answer.
Having apparently forgotten his remark the instant it was dropped, Lindsay went on writing.
“I admit I’m thinking over that proposition. Among my things in storage here, I have all Lutetia’s works, including those unsuccessful and very rare pomes of hers; even that blooming thesis I wrote. The thesis would, of course, read rotten now, but it might provide data that would save research. When do you propose to bring out this new edition, and how do you account for that recent demand for her? Of course it establishes me as some swell prophet. I always said she’d bob up again, you know. Then it looked as though she was as dead as the dodo. It isn’t the work alone that appeals to me; it’s doing it in Lutetia’s own town, which is apparently the exact kind of dead little burg I’m looking for—Quinanog, isn’t it? Come to think of it, Spink, my favorite occupation at this moment would be making daisy-chains or oak-wreaths. I’ll think it...”
He jumped spasmodically; jerked his head about; glanced over his shoulder at the doorway—
“What I’d really like to do, is the biography of Lutetia for about one month; then—for about three months—my experiences at the war which, I understand, are to be put away in the manuscript safe of the publishing firm of Dunbar, Cabot and Elsingham to be published when the demand for war stuff begins again. That, I reckon, is what I should do if I’m going to do it at all. Write it while it’s fresh—as I’m not a professional. But I can’t at this moment say yes, and I can’t say no. I’d like to stay a little longer in New York. I’d like to renew acquaintance with the old burg. I can afford to thrash round a bit, you know, if I like. There’s ten thousand dollars that my uncle left me, in the bank waiting me. When that’s spent, of course I’ll have to go to work.