The woman of the miniature was Lutetia Murray.

The girl—

X

She felt that the room was full of sunshine. Even through her glued-down lids she caught the darting dazzle of it. She knew that the air was full of bird voices. Even through her drowse-filmed ears, she caught the singing sound of them. She would like to lift her lids. She would like to wake up. But after all it was a little too easy to sleep. The impulse with which she sank back to slumber was so soft that it was scarcely impulse. It dropped her slowly into an enormous dark, a colossal quiet.

Presently she drifted to the top of that dark quiet. Again the sunlight flowed into the channels of seeing. Again the birds picked on the strings of hearing. By an enormous effort she opened her eyes.

She stared from her bed straight at a window. A big vine stretched films of green leaf across it. It seemed to color the sunshine that poured onto the floor—green. She looked at the window for a long time. Presently she discovered among the leaves a crimson, vase-like flower.

“Why, how thick the trumpet-vine has grown!” she said aloud.

It seemed to her that there was a movement at her side. But that movement did not interest her. She did not fall into a well this time. She drifted off on a tide of sleep. Presently—perhaps it was an hour later, perhaps five minutes—she opened her eyes. Again she stared at the window. Again the wonder of growth absorbed her thought; passed out of it. She looked about the room. Her little bedroom set, painted a soft creamy yellow with long tendrils of golden vine, stood out softly against the faded green cartridge paper.

“Why! Why have they put the bureau over there?” she demanded aloud of the miniature of Glorious Lutie which hung beside the bureau. With a vague alarm, her eyes sped from point to point. The dado of Weejubs stood out as though freshly restored. But all her pictures were gone; the four colored prints, Spring, Summer, Autumn, Winter—each the head of a little girl, decked with buds or flowers, fruit or furs, had vanished. The faded squares where they had hung showed on the walls. Oh, woe, her favorite of all, “My Little White Kittens,” had disappeared too. On the other hand—on table, on bureau, and on commode-top—crowded the little Chinese toys.