WITHOUT EXTINCTION IS LIBERTY, WITHOUT RETROGRADE IS EQUALITY

The last banner said:

AS HE DIED TO MAKE MEN HOLY LET US DIE TO MAKE MEN FREE

These white-clad girls stood in groups on both sides of the laurel-covered dais against the shadowy background of the curtains. The standard-bearers in the purple, the white, the gold, formed a semi-circle of brilliant color which lined the hall and merged with the purple, white, and gold frieze above them. They stood during the service, their tri-colored banners at rest.

There followed music. The choristers sang: Forward Be Our Watchword. The Mendelssohn Quartet sang: Love Divine and Thou Whose Almighty Word. Elizabeth Howry sang first All Through the Night and, immediately after, Henchel’s ringing triumphant Morning Song. It is an acoustic effect of Statuary Hall that the music seems to come from above. That effect added immeasurably to the solemnity of this occasion.

Tribute speeches followed, Anne Martin introducing the speakers. Mrs. William Kent read two resolutions: one prepared under the direction of Zona Gale, the other by Florence Brewer Boeckel. Maud Younger delivered a beautiful memorial address.

“And so ever through the West, she went,” Miss Younger said in part, “through the West that drew her, the West that loved her, until she came to the end of the West. There where the sun goes down in glory in the vast Pacific, her life went out in glory in the shining cause of freedom.... They will tell of her in the West, tell of the vision of loveliness as she flashed through her last burning mission, flashed through to her death, a falling star in the western heavens.... With new devotion we go forth, inspired by her sacrifice to the end that this sacrifice be not in vain, but that dying she shall bring to pass that which living she could not achieve, full freedom for women, full democracy for the nation....”

At the end the quartet sang, Before the Heavens Were Spread Abroad. Then the procession re-formed, and marched out again as it had come, a slow-moving band of color which gradually disappeared; a river of music which gradually died to a thread, to a sigh ... to nothing.... As before the white-surpliced choristers headed the procession, chanting the recessional, For All the Saints. Their banners lowered, the girl standard-bearers—first those in floating gold, then those in drifting white, then those in heavy purple—followed. From the far-away reaches of the winding marble halls sounded the boyish voices. Faintly came:

O, may Thy Soldiers, faithful, true and bold, Fight as the Saints who nobly fought of old, And win with them the victor’s crown of gold. Alleluia!

And fainter still: