I told him.
'So that's why Valdini was so blasted miserable when I came in,' he said as I finished. 'Sicilian gangster, hm? Just what he looks like. You'd better keep clear of that damned Contessa of his, Neil. I went to Sicily once. All dust and flies — it was summer. Got involved with a girl at the pensione. Her boy-friend came at me with a knife. But I was quicker then than I am now.'
We were the only two in to dinner. The big bar room seemed large and quiet — almost watchful. Our voices were never raised. We did not talk much during the meal. I was conscious of a nervous strain. I found myself wondering what the other three were doing — wondering what was happening in the world outside, wondering what was going to happen here. It was as though the hut, perched on the vast white shoulder of Monte Cristallo, was waiting for something.
I took myself off to my room immediately after dinner. I had to give Joe the impression I was doing some work. I wanted to work. I sat there at my typewriter, thinking how desperate Peggy and I had been before I had run into Engles in London that morning. I did not want that to happen again. This was my chance. All I had to do was produce a script that Engles would like.
But it just would not come. Every idea that came into my mind was over-shadowed and crowded out by the thought of what was happening here in this hut. It was impossible to concentrate on fiction when the facts right under my nose were so absorbing. For the hundredth time I tried to figure out why Engles was interested in the place. Valdini and the Contessa were now clear in my mind. But Mayne and Keramikos? Was it true what Keramikos had told me about Mayne? And why had he told me? Why had he warned me? And who had bought Col da Varda, and why?
I stared blankly at the keys of my typewriter, smoking cigarette after cigarette in a frenzy of frustration. Why didn't I ignore the whole thing and get on with the script? I cursed my honesty and damned Engles for employing me as watch-dog to a group of highly questionable characters and not as a straightforward script writer.
It was cold in the room, even with the electric heater on. The moon had risen and, beyond the reflected gleam of the unshaded electric light bulb, I could see the frosted white of the world outside my window. It came right up to the window, that cold, unfriendly world. The snow was thick on the window-sill — thick and glistening white. And from the roof a great curve of snow hung suspended like icing on a cake, ending in a long, pointed icicle.
At length I gave it up. It was no good thinking about writing a script when so many queries crowded my brain. I began to hammer out on the typewriter yet another report for Engles, this time on Keramikos. Whilst I was recalling that tea-time conversation, I heard the slittovia. It came up and went down again three separate times within an hour. I heard voices downstairs in the bar. Then, about ten, there was a tramp of heavy boots on the stair boards, voices said good-night, doors banged. Joe poked his head round the door of my room. 'How's it going?' he enquired.
'All right, thanks,' I told him.
'Good. It's all clear downstairs now. They've all gone to bed. It's warmer down there, if you're working late.'