The mansion stands on the east side of Grafton Street, about twenty yards from the western side of the Parliament Square. The main entrance is from Grafton Street, through a spacious courtyard, enclosed by a granite wall 310 feet in length, and is entered by a handsome gateway. There is a private corridor, or covered way, which connects the house directly with Parliament Square within the walls of the College. The façade is of granite, finely ashlared. The ground story is of icicled and rusticated work, over which a range of Doric pilasters, with their architrave, frieze, and cornice supporting a high pitched roof with no eave. In the principal story are five windows, with balusters beneath, arranged two on either side of a large Venetian window, with columns and ornaments of the Tuscan order. The interior of the house is original and interesting; the hall and ante-hall are spacious and dignified; the circular staircase, which is lighted by a lofty domed skylight, leads up to a fine suite of apartments. On the ground floor, with an entrance from the hall, and approached through an ante-room, is the large dining-room, which is now used as the Provost’s Library and as the Board-room, where the Provost and Senior Fellows assemble in council to deliberate upon the administration and government of the College. In this room and in the ante-room is a collection of portraits of all the Provosts, from the time of Adam Loftus to Dr. MacDonnell, and of many of the distinguished Fellows and Professors of the College, and other important personages connected with the University. On the staircase is a portrait of George I., by Sir Godfrey Kneller; another of George III., by Allan Ramsay; and one of Hugh Boulter, Archbishop of Armagh, painted by Bindon for the Foundling Hospital. All these are full-length portraits. The most interesting picture in the house is, perhaps, a half-length portrait of Queen Elizabeth, by Zucchero, hanging in the large drawing-room; where there is also a full-length portrait by Gainsborough—the artistic gem of the collection—of John Russell, Duke of Bedford, Lord Lieutenant of Ireland, 1757, and Chancellor of the University of Dublin. There is also in the drawing-room a half-length portrait of Archbishop Ussher, one of the earliest Fellows of the College (Professor of Divinity, 1607; Vice-Chancellor of the University, 1614; and Archbishop of Armagh, 1624), and buried, like Primate Boulter, in Westminster Abbey. In the Provost’s apartments on the ground floor is a picture of Adam Loftus, Archbishop of Dublin and Lord Chancellor of Ireland, 1567, and first Provost of Trinity College, 1592, by an unknown artist, as well as a copy of the same by Cregan; and a head of Archbishop Ussher. There are two portraits said to be of Samuel Winter, the Puritan Provost appointed by Cromwell in 1562, but possibly portraits of Luke Challoner, one of the more distinguished founders of the University. There are also portraits of Sir William Temple, Provost of Trinity College, 1609; John Stearne, M.D., Fellow of Trinity College, 1660; Michael Ward, D.D., Provost, 1674, Vice-Chancellor of the University, 1678; Anthony Dopping, D.D., Fellow of Trinity College, 1662; Narcissus Marsh, Provost of Trinity College, 1678; St. George Ashe, D.D., Provost, 1692; Peter Browne, D.D., Provost, 1699; H.R.H. George, Prince of Wales, Chancellor of the University of Dublin, 1715; Sir Hans Sloane, Bart., M.D. of the University of Dublin, who died in 1752; Sir Philip Tisdall, Privy Councillor and M.P. for the University, 1739; William Clements, M.D., Fellow of Trinity College, 1733, M.P. 1761; Francis Andrews, LL.D., Provost, 1758, by Antonio Maroni; Bryan Robinson, M.D., Regius Professor of Physic in the University, 1745, by Wilson; John Hely Hutchinson, LL.D., Provost, 1774, and Secretary of State for Ireland, by Peacock; Richard Murray, D.D. Provost, 1795, by Cumming; Hugh Hamilton, D.D., Fellow of Trinity College, 1751; Henry Dalzac, D.D., Fellow of Trinity College, 1760; John Forsayeth, D.D., Fellow of Trinity College, 1762; John Kearney, D.D., Provost, 1799, by Cumming; Matthew Young, D.D., Fellow of Trinity College, 1775; George Hall, D.D., Provost, 1806, by Cumming; Arthur Browne, LL.D., Fellow of Trinity College, 1777, by Hamilton; Thomas Elrington, D.D., Provost, 1811, by Foster; Bartholomew Lloyd, D.D., Provost, 1831, by Campanile; Samuel Kyle, D.D., Provost, 1820; Franc Sadleir, D.D., Provost, 1837; Richard MacDonnell, D.D., Provost, 1852, by Catterson Smith.
DRAWING ROOM, PROVOST’S HOUSE.
The various offices attached to the house are conveniently disposed in the wings, the height of the ground story. The rooms at the back of the mansion look out upon a large lawn and pleasure-ground, beyond which are the Fellows’ Garden and the College Park. From the windows of the house to the Cricket Pavilion at the further end of the Park is nearly a quarter of a mile of green sward, a noble expanse in the heart of a great city. The only intervening structure is a small building of Portland stone, of pseudo Greek or classical design—the Magnetical Observatory. This little temple of modern science was built in the year 1837 at the instigation of the celebrated mathematician, Dr. Humphrey Lloyd, afterwards (1867) Provost of Trinity College; and at the time of its completion in 1838 it was the only observatory specifically devoted to magnetic research—with the exception of that at Greenwich, under the direction of the Astronomer-Royal—in the United Kingdom. And it was here that Dr. Lloyd conducted those numerous and most interesting experiments, of which the results were communicated to many successive meetings of the British Association. The building itself, in the Doric order of architecture, was erected under the superintendence and from the design of Mr. Frederic Darley, of Dublin. The front elevation is not ungraceful, being partly copied from an Athenian model. But the architectural beauty of the rest of the building has been sacrificed to the scientific necessities of the interior, and the result is very far from satisfactory as a work of art. It stands in latitude 53° 21′ N. and longitude 16° 6′ W. It is forty feet in length by thirty feet in width, constructed of Portland stone, the interior being of the calpe, or argillaceous limestone of the valley of Dublin. Several specimens of each of these stones were submitted to severe tests, and found to be entirely devoid of any magnetic influence. To preserve a uniform temperature, and also as a protection from damp, the walls are studded internally. The nails employed in the wood-work are all of copper, and all locks and metal work of every kind throughout the building of brass or gun metal. No iron, of course, was used in any part of the work. The interior is divided into one principal room and two smaller rooms, lighted by a dome at the top, and by one window at either end of the building.
A complete account of this Observatory within and without, and of the numerous and most interesting instruments which it contains, will be found in An Account of the Magnetical Observatory of Dublin, and of the Instruments and Methods of Observation employed there, by the Rev. Humphrey Lloyd, D.D., University Press, 1842.
WEST FRONT.
The principal or west front of Trinity College, looking on to Grafton Street, College Green, and the old Houses of Parliament, now occupied by the Bank of Ireland, is a Palladian façade three hundred feet in length and sixty-five feet in height, occupying the whole of the eastern side of the large paved space which is still called College Green. The centre or principal corps de logis is one hundred feet in length. The entablature is supported by four detached columns with Corinthian capitals; and a bold but simple pediment surmounts the whole. At either corner is a square pilaster with a Corinthian capital. The building is continued on either side of this centre to a distance of seventy feet of plain and unadorned construction; the ground story of rustic ashlar, the remainder of fine cut granite. The north and south extremities of this great front are formed by two square pavilions rising above the height of the wings, and projecting about ten feet from the curtain line. The pavilions are pierced by four handsome Palladian windows, in the north and west and in the south and west fronts respectively; and the construction is ornamented at the projecting angles by coupled pilasters of the Corinthian order, supporting an attic story, surmounted by a very satisfactory balustrade. In the entire façade are fifty-one windows regularly disposed, giving light to four stories of rooms. According to the original plan the centre of the building was to have been crowned by a dome, and the abandonment of what might have given additional nobility to the whole is said to have been merely due to want of sufficient funds. But the elevation as it is, is not wanting in dignity; and though somewhat severe in its outlines, it gives the impression at once of simplicity without meanness, of solidity without heaviness, and of richness without extravagance of detail.
TOP OF STAIRCASE, REGENT’S HALL.