CHAPTER II
LIFE AT FELPHAM
In 1793 Blake removed across the river to Hercules Buildings, Lambeth, where he lived for seven years of great mental and spiritual vitality, seeing visions and dreaming dreams and embodying them in beautiful designs. He was a tireless worker, never resting, and sleeping much less than other men. These Lambeth days were days of comparative prosperity with the Blakes, whose wants were so simple and few. The little house in which they lived possessed rustic charms—a garden with a summer-house, and a vine climbing over the back of the house, whose leaves made a pleasant rustling in summer. A view of the river, too, could not have failed to add a significant charm to the place. On its shining surface might be descried ships like souls faring to the world’s great market-place, to barter and to receive merchandise; while others, with white sails set, slipped quietly down the river and out to the wide mysterious sea. Blake had a few pupils, too, and at this period he made the acquaintance of Mr. Butts, who was a staunch friend and true appreciator for thirty years. During all that time he was a constant buyer of our artist’s work, and bought sometimes at the rate of one drawing a week. In time Mr. Butts’ spacious house in Fitzroy Square became a regular Blake Gallery. The average price he paid was £1 to 30s. a design or picture. To Mr. Butts’ great honour be it said that he never assumed the airs of a patron, never tried to bind or hamper Blake’s genius, or to dictate or direct his choice of subjects or treatment of them. He seems to have realized that this man was “a prince in Israel,” and the lordship of his ideas not to be questioned, but accepted humbly and with gratitude.
In a future chapter I hope to deal with the Blake drawings and easel pictures done for Mr. Butts, which were available to the public in the Exhibition at Messrs. Carfax’s Rooms in Ryder Street, held in 1904.
Blake seems to have enjoyed a little wave of recognition at Lambeth—popularity it can hardly be called—but it was not long-lived. At one time he was even suggested as drawing-master to the Royal Family, but declined the position, not from modesty, but from devotion to his true métier—the preservation and expression of spiritual ideas—with which such a post would probably have interfered.
Two acts of secret and most munificent generosity are recorded by Tatham, and quoted by Messrs. Ellis and Yeats, concerning Blake while at Lambeth.
He gave £40 (he seldom after had half as much money beside him) to a friend in distress, and his deep sympathetic heart being moved by the sight of a sick young man, an artist, who daily passed their door, he and his Kate made the young man’s acquaintance, and for the love of Christ and in memory of brother Robert, finally took him into their house and tended him till his death some months later.
While at Lambeth he made three large and important drawings—“Nebuchadnezzar,” an enlarged edition of the bearded figure on hands and knees which occurs in “The Marriage of Heaven and Hell”; “The Lazar House” and “The Elohim creating Adam.” He also made designs for Young’s “Night Thoughts.” There were 537 designs made, and Blake only took a year to do them. A selected few were engraved. While at Lambeth he printed also his “Visions of the Daughters of Albion,” “America,” “Europe,” “Urizen,” “The Gates of Paradise,” “The Book of Los,” “The Song of Los,” and “Ahania.” The list implies steady application, and untiring intellectual and spiritual energy.