Evarne was quite carried away by the childish self-complacency, the light-hearted tone of gaiety that pervaded this book, and began to wax quite enthusiastic over the idea of going on the stage herself. Perhaps she would be a great success, and become famous, and earn any amount of money. Then Morris, of course, would hear of her triumphs, and then——But she stayed these fairy visions with a stern hand as soon as Morris appeared in them. The pain grew too cruel. Nothing could ever undo the past.
She wondered if she could act well. She had never had any ambition in that direction, and so had never tried, not even as an amateur. But surely anyone could learn to undertake small parts quite easily. She did not expect to be called upon to play "Juliet" or "Pauline Deschapelles" immediately.
The hours passed. She found an old novelette in a drawer, and occupied her time in reading the rubbish, until a scream of laughter, the bang of a door and a general sense of uproar, proclaimed that the "sketch party" had returned from its evening labours. A few minutes later a tap came on the door, and in response to the injunction to "Come in," a tall, slender girl, with faint traces of "make-up" still clinging around her eyes, appeared on the threshold.
"We've come back, Miss Stornway," she announced in a friendly manner, "and I've come up to bring you down to have a bit of supper with us as arranged."
Willingly enough Evarne went downstairs. The meal was laid in readiness in the sitting-room, where two men and a buxom middle-aged female, all lounging around waiting for the first course to appear, seemed to fill the already overfurnished place to repletion.
The girl who had run up to conduct the guest downstairs now undertook the task of effecting a general introduction.
"This is Mr. Hal Cuthbert, the manager of our 'Fun in the Hayfield' sketch company," she commenced, indicating the elder of the two men. "This is Mrs. Hal Cuthbert." The lady in question bowed so deliberately and graciously that Evarne felt constrained to solemnly return the formal salutation. "This is Mr. Bertie Anderson." Here the girl exchanged smiles with her acquaintance at the hall. "My name is Margaret Macclesfield, and you are Miss Stornway, so now we all know one another."
Everyone hereupon started to speak at once, but Mrs. Burling appearing with a dish of soused mackerel, all subsided for a moment, took their seats, and the little meal commenced.
Very soon Evarne arrived at the conclusion that if this party was typical of theatrical ladies and gentlemen, she had been vastly mistaken in her estimate of such. They were evidently not unlike ordinary human beings, only rather jollier. They were very lively, very light-hearted, easily amused at not remarkably brilliant witticisms, whether the product of their own genius or that of their companions. They were, moreover, exceedingly frank and open, telling her all about themselves, their whole history and that of their respective families. They waxed enthusiastic on their past dramatic successes and their future hopes—future fears they seemed not to possess. Altogether Evarne quite forgot herself, and enjoyed the chatter after her period of involuntary solitude. It was not until the meal was over, and tobacco fumes filled the air, that the subject of her future on the stage was mooted.
But this little band of professionals was far less sanguine and encouraging than Mrs. Burling had been.