And he pointed to the old judge.
II. THE COUNTY TROT
SATURDAY was the last day of the county fair and the day of the County Trot. It was also Veterans' Day, when the old soldiers were the guests of honor of the management, and likewise Ladies' Day, which meant that all white females of whatever age were admitted free. So naturally, in view of all these things, the biggest day of fair week was Saturday.
The fair grounds lay in a hickory flat a mile out of town, and the tall scaly barks grew so close to the fence that they poked their limbs over its top and shed down nuts upon the track. The fence had been whitewashed once, back in the days of its youth when Hector was a pup; but Hec was an old dog now and the rains of years had washed the fence to a misty gray, so that in the dusk the long, warped panels stood up in rows, palely luminous—like the highshouldered ghosts of a fence. And the rust had run down from the eaten-out nail-holes until each plank had two staring marks in its face—like rheumy, bleared eyes. The ancient grandstand was of wood too, and had lain outdoors in all weathers until its rheumatic rafters groaned and creaked when the wind blew.
Back of the grandstand stood Floral Hall and Agricultural Hall. Except for their names and their flagstaffs you might have taken them for two rather hastily built and long-neglected bams. Up the track to the north were the rows of stables that were empty, odorous little cubicles for fifty-one weeks of the year, but now—for this one week—alive with darky stable hands and horses; and all the good savors of woodfires, clean hay, and turned-up turf were commingled there.
The fair had ideal weather for its windup. No frost had fallen yet, but in the air there were signs and portents of its coming. The long yellow leaves of the hickories had begun to curl up as if to hold the dying warmth of the sap to the last; and once in a while an ash flamed red like a signal fire to give warning for Indian summer, when all the woods would blaze in warpaints before huddling down for the winter under their tufted, ragged tawnies and browns—like buffalo robes on the shoulders of chilled warriors. The first flights of the wild geese were going over, their V's pointed to the Gulf; and that huckstering little bird of the dead treetops, which the negroes call the sweet-potato bird—maybe it's a pewee, with an acquired Southern accent—was calling his mythical wares at the front door of every woodpecker's hole. The woods were perfumy with ripening wild grapes and pawpaws, and from the orchards came rich winy smells where the windfalls lay in heaps and cider mills gushed under the trees; and on the roof of the smokehouse the pared, sliced fruit was drying out yellow and leathery in the sun and looking—a little way off—like countless ears all turned to listen for the same thing.
Saturday, by sunup, the fair grounds were astir. Undershirted concessionaries and privilege people emerged from their canvas sleeping quarters to sniff at a the tantalizing smell that floated across to them from certain narrow trenches dug in the ground. That smell, just by itself, was one square meal and an incentive to another; for these trenches were full of live red hickory coals; and above them, on greenwood stakes that were stretched across, a shoat and a whole sheep, and a rosary of young squirrels impaled in a string, had been all night barbecuing. Uncle Isom Woolfolk was in charge here—mightily and solely in charge—Uncle Isom Woolfolk, no less, official purveyor to the whole county at fish fries or camp breakfasts, secretary of the Republican County Committee, high in his church and his lodges and the best barbecue cook in seven states. He bellowed frequent and contradictory orders to two negro women of his household who were arranging clean white clothes on board trestles; and constantly he went from shoat to sheep and from sheep to squirrels, basting them with a rag wrapped about a stick and dipped into a potent sauce of his own private making. Red pepper and sweet vinegar were two of its main constituents, though, and in turn he painted each carcass as daintily as an artist retouching the miniature of his lady fair, so that under his hand the crackling meatskins sizzled and smoked, and a yellowish glaze like a veneer spread over their surfaces. His white chin-beard waggled with importance and the artistic temperament.
Before Uncle Isom had his barbecue off the fire the crowds were pouring in, coming from the town afoot, and in buggies and hacks, and from the country in farm wagons that held families, from grandsire to baby in arms, all riding in kitchen chairs, with bedquilt lap robes. At noon a thin trickle of martial music came down the pike; and pretty soon then the veterans, forty or fifty of them, marched in, two by two, some in their reunion gray and some in their best Sunday blacks. At the head of the limping line of old men was a fife-and-drum corps—two sons of veterans at the drums and Corporal Harrison Treese, sometime bugler of Terry's Cavalry, with his fife half buried in his whiskers, ripping the high notes out of The Girl I Left Behind Me. Near the tail of the procession was Sergeant Jimmy Bagby, late of King's Hellhounds. Back in war times that organization had borne a more official and a less sanguinary title; but you would never have guessed this, overhearing Sergeant Jimmy Bagby's conversation.