The geezer was a sheet-iron contraption in the shape of a pocket inkstand, and it stood on a perch in the corner, like a Russian icon, with a small blue flame flickering beneath it. It looked as though its sire might have been a snare-drum and its dam a dark lantern, and that it got its looks from its father and its heating powers from the mother's side of the family. And the plumbing fixtures were of the type that passed out of general use on the American side of the water with the Rutherford B. Hayes administration. I was given to understand that this was a fair sample of the average residential London bathroom—though the newer apartment houses that are going up have better ones, they told me.

In English country houses the dearth of bathing appliances must be even more dearthful. I ran through the columns of the leading English fashion journal and read the descriptions of the large country places that were there offered for sale or lease. In many instances the advertisements were accompanied by photographic reproductions in half tone showing magnificent old places, with Queen Anne fronts and Tudor towers and Elizabethan entails and Georgian mortgages, and what not.

Seeing these views I could conjure up visions of rooks cawing in the elms; of young curates in flat hats imbibing tea on green lawns; of housekeepers named Meadows or Fleming, in rustling black silk; of old Giles—fifty years, man and boy, on the place—wearing a smock frock and leaning on a pitchfork, with a wisp of hay caught in the tines, lamenting that the 'All 'asn't been the same, zur, since the young marster was killed ridin' to 'ounds; and then pensively wiping his eyes on a stray strand of the hay.

With no great stretch of the imagination I could picture a gouty, morose old lord with a secret sorrow and a brandy breath; I could picture a profligate heir going deeper and deeper in debt, but refusing to the bitter end to put the ax to the roots of the ancestral oaks. I could imagine these parties readily, because I had frequently read about both of them in the standard English novels; and I had seen them depicted in all the orthodox English dramas I ever patronized. But I did not notice in the appended descriptions any extended notice of heating arrangements; most of the advertisements seemed to slur over that point altogether.

And, as regards bathing facilities in their relation to the capacities of these country places, I quote at random from the figures given: Eighteen rooms and one bath; sixteen rooms and two baths; fourteen rooms and one bath; twenty-one rooms and two baths; eleven rooms and one bath; thirty-four rooms and two baths. Remember that by rooms bedrooms were meant; the reception rooms and parlors and dining halls and offices, and the like, were listed separately.

I asked a well-informed Englishman how he could reconcile this discrepancy between bedrooms and bathrooms with the current belief that the English had a practical monopoly of the habit of bathing. After considering the proposition at some length he said I should understand there was a difference in England between taking a bath and taking a tub—that, though an Englishman might not be particularly addicted to a bath, he must have his tub every morning. But I submit that the facts prove this explanation to have been but a feeble subterfuge.

Let us, for an especially conspicuous example, take the house that has thirty-four sleeping chambers and only two baths. Let us imagine the house to be full of guests, with every bedroom occupied; and, if it is possible to do so without blushing, let us further imagine a couple of pink-and-white English gentlemen in the two baths. If preferable, members of the opposite sex may imagine two ladies. Very well, then; this leaves the occupants of thirty-two bedrooms all to be provided with large tin tubs at approximately the same hour of the morning. Where would any household muster the crews to man all those portable tin tubs? And where would the proprietor keep his battery of thirty-two tubs when they were not in use? Not in the family picture gallery, surely!

From my readings of works of fiction describing the daily life of the English upper classes I know full well that the picture gallery is lined with family portraits; that each canvased countenance there shows the haughtily aquiline but slightly catarrhal nose, which is a heritage of this house; that each pair of dark and brooding eyes hide in their depths the shadow of that dread Nemesis which, through all the fateful centuries, has dogged this brave but ill-starred race until now, alas! the place must be let, furnished, to some beastly creature in trade, such as an American millionaire.

Here at this end we have the founder of the line, dubbed a knight on the gory field of Hastings; and there at that end we have the present heir, a knighted dub. We know they cannot put the tubs in the family picture gallery; there is no room. They need an armory for that outfit, and no armory is specified in the advertisement.

So I, for one, must decline to be misled or deceived by specious generalities. If you are asking me my opinion I shall simply say that the bathing habit of Merrie England is a venerable myth, and likewise so is the fresh-air fetish. The error an Englishman makes is that he mistakes cold air for fresh air.