Europe Revised

by Irvin S. Cobb

And several persons were badly hurt in the crush; but they were believed afterward to have been repeaters.

I thought this story was overdrawn, but, after traveling over somewhat the same route which this fellow countryman had taken, I came to the conclusion that it was no exaggeration, but a true bill in all particulars. On the night of our second day in Paris we went to a theater to see one of the topical revues, in which Paris is supposed to excel; and for sheer dreariness and blatant vulgarity Paris revues do, indeed, excel anything of a similar nature as done in either England or in America, which is saying quite a mouthful.

In the French revue the members of the chorus reach their artistic limit in costuming when they dance forth from the wings wearing short and shabby undergarments over soiled pink fleshings and any time the dramatic interest begins to run low and gurgle in the pipes a male comedian pumps it up again by striking or kicking a woman. But to kick her is regarded as much the more whimsical conceit. This invariably sets the audience rocking with uncontrollable merriment. Howsomever, I am not writing a critique of the merits of the performance. If I were I should say that to begin with the title of the piece was wrong. It should have been called Lapsus Lingerie—signifying as the Latins would say, "A Mere Slip." At this moment I am concerned with what happened upon our entrance.

At the door a middle-aged female, who was raising a natty mustache, handed us programs. I paid her for the programs and tipped her. She turned us over to a stout brunette lady who was cultivating a neat and flossy pair of muttonchops. This person escorted us down the aisle to where our seats were; so I tipped her. Alongside our seats stood a third member of the sisterhood, chiefly distinguished from her confreres by the fact that she was turning out something very fetching in the way of a brown vandyke; and after we were seated she continued to stand there, holding forth her hand toward me, palm up and fingers extended in the national gesture, and saying something in her native tongue very rapidly. Incidentally she was blocking the path of a number of people who had come down the aisle immediately behind us.

I thought possibly she desired to see our coupons, so I hauled them out and exhibited them. She shook her head at that and gabbled faster than ever. It next occurred to me that perhaps she wanted to furnish us with programs and was asking in advance for the money with which to pay for them. I explained to her that I already secured programs from her friend with the mustache. I did this mainly in English, but partly in French—at least I employed the correct French word for program, which is programme. To prove my case I pulled the two programs from my pocket and showed them to her. She continued to shake her head with great emphasis, babbling on at an increased speed. The situation was beginning to verge on the embarrassing when a light dawned on me. She wanted a tip, that was it! She had not done anything to earn a tip that I could see; and unless one had been reared in the barbering business she was not particularly attractive to look on, and even then only in a professional aspect; but I tipped her and bade her begone, and straightway she bewent, satisfied and smiling. From that moment on I knew my book. When in doubt I tipped one person—the person nearest to me. When in deep doubt I tipped two or more persons. And all was well.

On the next evening but one I had another lesson, which gave me further insight into the habits and customs of these gay and gladsome Parisians. We were completing a round of the all-night cafes and cabarets. There were four of us. Briefly, we had seen the Dead Rat, the Abbey, the Bal Tabarin the Red Mill, Maxim's, and the rest of the lot to the total number of perhaps ten or twelve. We had listened to bad singing, looked on bad dancing, sipped gingerly at bad drinks, and nibbled daintily at bad food; and the taste of it all was as grit and ashes in our mouths. We had learned for ourselves that the much-vaunted gay life of Paris was just as sad and sordid and sloppy and unsavory as the so-called gay life of any other city with a lesser reputation for gay life and gay livers. A scrap of the gristle end of the New York Tenderloin; a suggestion of a certain part of New Orleans; a short cross section of the Levee, in Chicago; a dab of the Barbary Coast of San Francisco in its old, unexpurgated days; a touch of Piccadilly Circus in London, after midnight, with a top dressing of Gehenna the Unblest—it had seemed to us a compound of these ingredients, with a distinctive savor of what was essentially Gallic permeating through it like garlic through a stew. We had had enough. Even though we had attended only as onlookers and seekers after local color, we felt that we had a-plenty of onlooking and entirely too much of local color; we felt that we should all go into retreat for a season of self-purification to rid our persons of the one and take a bath in formaldehyde to rinse our memories clean of the other. But the ruling spirit of the expedition pointed out that the evening would not be complete without a stop at a cafe that had—so he said—an international reputation for its supposed sauciness and its real Bohemian atmosphere, whatever that might be. Overcome by his argument we piled into a cab and departed thither.

This particular cafe was found, in its physical aspects, to be typical of the breed and district. It was small, crowded, overheated, underlighted, and stuffy to suffocation with the mingled aromas of stale drink and cheap perfume. As we entered a wrangle was going on among a group of young Frenchmen picturesquely attired as art students—almost a sure sign that they were not art students. An undersized girl dressed in a shabby black-and-yellow frock was doing a Spanish dance on a cleared space in the middle of the floor. We knew her instantly for a Spanish dancer, because she had a fan in one hand and a pair of castanets in the other. Another girl, dressed as a pierrot, was waiting to do her turn when the Spanish dancer finished. Weariness showed through the lacquer of thick cosmetic on her peaked little face. An orchestra of three pieces sawed wood steadily; and at intervals, to prove that these were gay and blithesome revels, somebody connected with the establishment threw small, party-colored balls of celluloid about. But what particularly caught our attention was the presence in a far corner of two little darkies in miniature dress suits, both very wally of eye, very brown of skin, and very shaved as to head, huddled together there as though for the poor comfort of physical contact. As soon as they saw us they left their place and sidled up, tickled beyond measure to behold American faces and hear American voices.

They belonged, it seemed, to a troupe of jubilee singers who had been imported from the States for the delectation of French audiences. At night, after their work at a vaudeville theater was done, the members of their company were paired off and sent about to the cafes to earn their keep by singing ragtime songs and dancing buck dances. These two were desperately, pathetically homesick. One of them blinked back the tears when he told us, with the plaintive African quaver in his voice, how long they had been away from their own country and how happy they would be to get back to it again.

"We suttin'ly is glad to heah somebody talkin' de reg'lar New 'Nited States talk, same as we does," he said. "We gits mighty tired of all dis yere French jabberin'!"

"Yas, suh," put in his partner; "dey meks a mighty fuss over cullud folks over yere; but 'tain't noways lak home. I comes from Bummin'ham, Alabama, myse'f. Does you gen'lemen know anybody in Bummin'ham?"