"'That ain't the worst of it,' he says. Yesterday,' he says, 'I rented out my whole string of coaches and teams for a burial turnout over here on McDougal Street. Being as it's a big occasion, I'm driving the first carriage containing the sorrowing family of deceased. Naturally, with a job like that on my hands, I don't think about Emily at all; my mind's all occupied up with making the affair pass off in a tasty and pleasant fashion for all concerned. Well, the cortege is just leaving the late residence of the remainders, when around the corner comes bulging Emily, followed at a suitable distance by eight or nine thousand of the populace. She's missed me, and she wants her peanuts, and she's been trailing me; and now, by heck, she's found me.
"'Emily gives a loud, glad snort of recognition, wheels herself around and then falls in alongside the front hack and gets ready to accompany us, all the time poking her snout over at me and uttering plaintive remarks in East Indian to me. Gents,' he says, 'you can see for yourselves, a thing like that, occurring right at the beginning of a funeral procession, is calculated to distract popular attention away from the main attraction. Under the circumstances I wouldn't blame no corpse on earth for feeling jealous—let alone a popular and prominent corpse like this here one was, a party that had been a district leader at Tammany Hall in his day, and after that the owner of the most fashionable retail liquor store in the entire neighbourhood, and who's now riding along with solid silver handles up and down both sides, and style just wrote all over him. Here, with an utter disregard for expense, he's putting on all this dog for his last public appearance, and a strange elephant comes along and grabs the show right away from him.
"'The bereaved family don't care for it, neither. I gathers as much from the remarks they're making out of the windows of the coach. But Emily just won't take a hint. She sticks along until I stops the procession and goes in a guinea fruitstore on the next block and buys her a bag of peanuts. That's all she wants. She takes it, and she leaves us and goes on back to the stable.
"'But, as the feller says, it practically ruined the entire day for them berefts. I lost their patronage right there—and them a nice sickly family, too. A lot of the friends and relatives also resented it; they were telling me so all the way back from the cemet'ry. There ain't no real harm in Emily, and I've got powerfully attached to her, but taking one thing with another, I ain't regretting none that you've come down all organised financially to take her out of pawn. You have my best wishes, and so has she.'
"So we settles up the account to date, which the same makes quite a nick in the bank-roll, and then we goes back to the rear of the stable where Emily is quartered, and she falls on Windy's neck, mighty nigh dislocating it, and he introduces me to Emily, and we shakes hands together,—I means trunks,—and then Windy unshackles her, and she follows us along just as gentle as a kitten to them freight-yards over on Tenth Avenue where her future travelling home is waiting for her. It's a box-car, with one end rigged up with bunks as a boudoir for me and Windy, and the rest of it fitted out as a private stateroom for Emily.
"From that time on, for quite a spell, we're just the same as one big happy family, as we goes a-jauntily touring from place to place.
"We're playin' the Big Time, which means week stands and no hard jumps. Emily's a hit, a knock-out and a riot wherever she appears. She knows it too, but success don't go to her head, and she don't never get no attacks of this here complaint which they calls temper'ment. I always figgered out that temper'ment, when a grand wopra singster has it, is just plain old temper when it afflicts a bricklayer. I don't know what form it would take if it should seize on a bull, but Emily appears to be absolutely immune. Give her a ton of hay and one sack of peanuts a day, and she's just as placid as a great gross of guinea pigs. Behind the scenes she never makes no trouble, but chums with the stage-hands and even sometimes with the actors, thus proving that she ain't stuck up.
"When the time comes for Emily to do her turn, she just goes ambling on behind Windy and cuts up more didoes than any trick-mule that ever lived. She smokes a pipe, and she toots on a brass horn, and waits on table while Windy pretends to eat, and stands on her head, and plays baseball with him and so forth and so on, for fifteen minutes, winding up by waving the Amurikin flag over her head. But all this time she's keeping one eye on me, where I'm standing in the wings with a sack of peanuts in my pocket waiting for her to come off. Every time she works over toward my side of the stage, she makes little hoydenish remarks to me in her native language. It ain't long until I can make out everything she says. I've been pedling the bull too long not to be able to understand it when spoke by a native.
"For upwards of two months things goes along just beautiful. Then we strikes a town out in Illinois where business ain't what it used to be, if indeed it ever was. Along about the middle of the week the young feller that's doing the press-work for the house comes to me and asks me if I ain't got an idea in my system that might make a good press-stunt.
"There's an inspiration comes to me and I suggests to him that maybe he might go ahead and make an announcement that following the Saturday matinêe, Emily the Pluperfect, Ponderous, Pachydermical Performer, direct from the court of the reigning Roger of Simla County, India, will hold a reception on the stage to meet her little friends, each and every one of whom will be expected to bring her a bag of peanuts.