“Breakfus'—hit's on the table waitin', suh,” stated Jeff. “Mizz Polks sent over her house-boy with a dish of fresh razberries fur yore breakfus'; and she say to tell you, with her and Mistah Polkses' compliments, they is fresh picked out of her garden—specially fur you.”

The lady and gentleman to whom Jeff had reference were named Polk, but in speaking of white persons for whom he had a high regard Jeff always, wherever possible within the limitations of our speech, tacked on that final s. It was in the nature of a delicate verbal compliment, implying that the person referred to was worthy of enlargement and pluralisation.

Alone in the cool, high-ceiled, white-walled dining room, Judge Priest ate his breakfast mechanically. The raspberries were pink beads of sweetness; the young fried chicken a poem in delicate and flaky browns; the spoon bread could not have been any better if it had tried; and the beaten biscuits were as light as snowflakes and as ready to melt on the tongue; as symmetrical too as poker-chips, and like poker-chips, subject to a sudden disappearance from in front of one; but Judge Priest spoke hardly a word all through the meal. Jeff, going out to the kitchen for the last course, said to Aunt Dilsey:

“Ole boss-man seem lak he's got somethin' on his mind worryin' him this mawnin'.”

When Jeff returned, with a turn of crisp waffles in one hand and a pitcher of cane sirup in the other, he stared in surprise, for the dining room was empty and he could hear his employer creaking down the hall. Jeff just naturally hated to see good hot waffles going to waste. He ate them himself, standing up; and they gave him a zest for his regular breakfast, which followed in due course of time.

From the old walnut hatrack, with its white-tipped knobs that stood just inside the front door, the judge picked up a palmleaf fan; and he held the fan slantwise as a shield for his eyes and his bare head against the sun's glare as he went down the porch steps and passed out of his own yard, traversed the empty street and strove with the stubborn gate latch of the little house that faced his own. It was a poor-looking little house, and its poorness had extended to its surroundings—as if poverty was a contagion that spread. In Judge Priest's yard, now, the grass, though uncared for, yet grew thick and lush; but here, in this small yard, there were bare, shiny spots of earth showing through the' grass—as though the soil itself was out at elbows and the nap worn off its green-velvet coat; but the vines about the porch were thick enough for an ambuscade and from behind their green screen came a voice in hospitable recognition.

“Is that you, Judge? Well, suh, I'm glad to see you! Come right in; take a seat and sit down and rest yourself.”

The speaker showed himself in the arched opening of the vine barrier—an old man—not quite so old, perhaps, as the judge. He was in his shirtsleeves. There was a patch upon one of the sleeves. His shoes had been newly shined, but the job was poorly done; the leather showed a dulled black upon the toes and a weathered yellow at the sides and heels. As he spoke his voice ran up and down—the voice of a deaf person who cannot hear his own words clearly, so that he pitches them in a false key. For added proof of this affliction he held a lean and slightly tremulous hand cupped behind his ear.

The other hand he extended in greeting as the old judge mounted the step of the low porch.

The visitor took one of two creaky wooden rockers that stood in the narrow space behind the balsam vines, and for a minute or two he sat without speech, fanning himself. Evidently these neighbourly calls between these two old men were not uncommon; they could enjoy the communion of silence together without embarrassment.