All in a flash I saw these things, and in that same flash I saw, taking shape and impulse, a groundswell of men, all wearing red buttons, rolling toward the stage, with the picked bad men of the city wards for its crest; and out of the tail of my eye I saw too, stealing out from the rear of the stage, a small, compact wedge of men wearing those same red buttons; and the prow of the wedge was Fighting Dave Dancy, the official bad man of a bad county, a man who packed a gun on each hip and carried a dirk knife down the back of his neck; a man who would shoot you at the drop of a hat and provide the hat himself—or at least so it was said of him.
And I realized that the enemy, coming by concerted agreement from front and rear at once, had nipped those of us who were upon the stage as between two closing walls, and I was exceedingly unhappy to be there. I ducked my head low, waiting for the shooting to begin. Afterward we figured it out that nobody fired the first shot because everybody knew the first shot would mean a massacre, where likely enough a man would kill more friends than foes.
What happened now in the space of the next few seconds I saw with particular clarity of vision, because it happened right alongside me and in part right over me. I recall in especial Mink Satterlee. Mink Satterlee was one of the worst men in town, and he ran the worst saloon and prevailed mightily in ward politics. He had been sitting just below our table in the front row of seats. He was a big-bodied man, fat-necked, but this day he showed himself quick on his feet as any toe-dancer. Leading his own forces by a length, he vaulted the orchestra rail and lit lightly where a scared oboe player had been squatted a moment before; Mink breasted the gutterlike edging of the footlights and leaped upward, teetering a moment in space. One of his hands grabbed out for a purchase and closed on the leg of our table and jerked it almost from under us.
At that Devore either lost his head or else indignation made him reckless. Still half sitting, he kicked out at the wriggling bulk at his feet, and the toe of his shoe took Mink Satterlee in his chest. It was a puny enough kick; it didn't even shake Mink Satterlee loose from where he clung. He gave a bellow and heaved himself up on the stage and, before any of us could move, grabbed Devore by the throat with his left hand and jammed him back, face upward, on the table until I thought Devore's spine would crack. His right hand shot into his coat pocket, then, quick as a snake, came out again, showing the fat fist armed with a set of murderously heavy brass knucks, and he bent his arm in a crooked sickle-like stroke, aiming for Devore's left temple. I've always been satisfied—and so has Devore—that if the blow had landed true his skull would have caved in like a puff-ball. Only it never landed.
Above me a shadow of something hung for the hundredth part of a second, something white flashed over me and by me, moving downward whizzingly; something cracked on something; and Mink Satterlee breathed a gentle little grunt right in Devore's face and then relaxed and slid down on the floor, lying half under the table and half in the tin trough where the stubby gas jets of the footlights stood up, with his legs protruding stiffly out over its edge toward his friends. Subconsciously I noted that his socks were not mates, one of them being blue and one black; also that his scalp had a crescent-shaped split place in it just between and above his half-closed eyes. All this, though, couldn't have taken one-fifth of the time it has required for me to tell it. It couldn't have taken more than a brace of seconds, but even so it was time enough for other things to happen; and I looked back again toward the center of the stage just as Fighting Dave Dancy seized startled old Judge Barbee by the middle from behind and flung him aside so roughly that the old man spun round twice, clutching at nothing, and then sat down very hard, yards away from where he started spinning.
Dancy stooped for the gavel, which had fallen from the judge's hand, being minded, I think, to run the convention awhile in the interest of his own crowd. But his greedy fingers never closed over its black-walnut handle, because, facing him, he saw just then what made him freeze solid where he was.
Out from behind the Evening Press table and through a scattering huddle of newspaper reporters, stepping on the balls of his feet as lightly as a puss-cat, emerged Major Putnam Stone. His sleeves were turned back off his wrists and his vest flared open. His head was thrust forward so that the tuft of goatee on his chin stuck straight out ahead of him like a little burgee in a fair breeze. His face was all a clear, bright, glowing pink; and in his right hand he held one of the longest cavalry revolvers that ever was made, I reckon. It had a square-butted ivory handle, and as I saw that ivory handle I knew what the white thing was that had flashed by me only a moment before to fell Mink Satterlee so expeditiously.
Writing this, I've been trying to think of the one word that would best describe how Major Putnam Stone looked to me as he advanced on Dave Dancy. I think now that the proper word is competent, for indeed the old major did look most competent—the tremendous efficiency he radiated filled him out and made him seem sundry sizes larger than he really was. A great emergency acts upon different men as chemical processes act upon different metals. Some it melts like lead, so that their resolution softens and runs away from them; and some it hardens to tempered steel. There was the old major now. Always before this he had seemed to me to be but pot metal and putty, and here, poised, alert, ready—a wire-drawn, hard-hammered Damascus blade of a man—all changed and transformed and glorified, he was coming down on Dave Dancy, finger on trigger, thumb on hammer, eye on target, dominating the whole scene.
Ten feet from him he halted and there was nobody between them. Somehow everybody else halted too, some even giving back a little. Over the edge of the stage a ring of staring faces, like a high-water mark, showed where the onward rushing swell of the Stickney city delegates had checked itself. Seemingly to all at once came the realization that the destinies of the fight had by the chances of the fight been entrusted to these two men—to Dancy and the major—and that between them the issue would be settled one way or the other.
Still at a half crouch, Dancy's right hand began to steal back under the skirt of his long black coat. At that the major flung up the muzzle of his weapon so that it pointed skyward, and he braced his left arm at his side in the attitude you have seen in the pictures of dueling scenes of olden times.