“Here on this bed tonight I got to thinkin' if I could jest tell somebody about it that maybe after that I'd feel easier in my mind. And right that very minute you come and knocked on the door, and I knowed it was a sign—I knowed you was the one for me to tell it to. And so I've done it, and already I think I feel a little bit easier in my mind. And so that's all, mister. But I wisht please you'd take that pistol away with you when you go—I don't never want to see it again as long as I live.”
She paused, huddling herself in a heap upon the bed. The major's short arm made a gesture toward the cheap suitcase.
“I observe,” he said, “that your portmanteau is packed as if for a journey. Were you thinking of leaving, may I ask?”
“My which?” she said. “Oh, you mean my baggage! Yes; I ain't never unpacked it since I come here. I was aimin' to go back to my home—I got a stepsister livin' there and she might take me in—only after payin' for this room I ain't got quite enough money to take me there; and now I don't know as I want to go, either. If I kin git my strength back I might stay on here—I kind of like city life. Or I might go up to Cincinnati. A girl that I used to know here is livin' there now and she wrote to me a couple of times, and I know her address—it was backed on the envelope. Still, I ain't sure—my plans ain't all made yit. Sometimes I think I'll give myself up, but most generally I think I won't. I've got to do somethin' purty soon though, one way or another, because I ain't got but a little over three dollars left out of what I had.”
She sank her head in the pillow wearily, with her face turned away from him. The major stood up. Into his side coat pocket he slipped the revolver that had snuffed out the late and unsavory Rodney Bullard's light of life, and from his trousers pocket he slowly drew forth his supply of ready money. He had three silver dollars, one quarter, one dime, and a nickel—three-forty in all. Contemplating the disks of metal in the palm of his hand, he did a quick sum in mental arithmetic. This was Thursday night now. Saturday afternoon at two he would draw a pay envelope containing twelve dollars. Meantime he must eat. Well, if he stinted himself closely a dollar might be stretched to bridge the gap until Saturday. The major had learned a good deal about the noble art of stinting these last few weeks.
On the coverlet alongside the girl he softly piled two of the silver dollars and the forty cents in change. Then, after a momentary hesitation, he put down the third silver dollar, gathered up the forty cents, slid it gently into his pocket and started for the door, the loose planks creaking under his tread. At the threshold he halted.
“Good night, Miss La Mode,” he said. “I trust your night's repose may be restful and refreshing to you, ma'am.”
She lifted her face from the pillow and spoke, without turning to look at him.
“Mister,” she said, “I've told you the whole truth about that thing and I ain't goin' to lie to you about anythin' else. I didn't come from Indianapolis, Indiana, like I told you. My home is in Swainboro', this state—a little town. You might know where it is? And my real name ain't La Mode, neither. I taken it out of a book—the La Mode part—and I always did think Blanche was an awful sweet name for a girl. But my real name is Gussie Stammer. Good night, mister. I'm much obliged to you fer listenin', and I ain't goin' to disturb you no more with my cryin' if I kin help it.”
As the major gently closed her door behind him he heard her give a long, sleepy sigh, like a tired child. Back in his own room he glanced about him, meanwhile feeling himself over for writing material. He found in his pockets a pencil and a couple of old letters, whereas he knew he needed a big sheaf of copy paper for the story he had to write. Anyway, there was no place here to do an extended piece of writing—no desk and no comfortable chair. The office would be a much better place.