He eyed the ruined bosom with a regretful stare, plucking at the gaping tear with his graphite-dusted fingers and shaking his head mournfully. Yet as he stepped out into the street, bound for his lodgings, he jarred his heels down upon the sidewalk with the brisk, snapping gait of a man who has tackled a hard job and has done it well, and is satisfied with the way he has done it.
Under a large black head the major's story was printed in the Fourth of July edition of the Evening Press. It ran full two columns and lapped over into a third column. It was an exhaustive—and exhausting—account of the Fall of Vicksburg.
VI
THE EXIT OF ANSE
DUGMORE
When a Kentucky mountaineer goes to the penitentiary the chances are that he gets sore eyes from the white walls that enclose him, or quick consumption from the thick air that he breathes. It was entirely in accordance with the run of his luck that Anse Dugmore should get them both, the sore eyes first and then the consumption.
There is seldom anything that is picturesque about the man-killer of the mountain country. He is lacking sadly in the romantic aspect and the delightfully studied vernacular with which an inspired school of fiction has invested our Western gun-fighter. No alluring jingle of belted accouterment goes with him, no gift of deadly humor adorns his equally deadly gun-play. He does his killing in an unemotional, unattractive kind of way, with absolutely no regard for costume or setting. Rarely is he a fine figure of a man.