He swung his arm; and following its swing we saw a mound of fresh-turned clay, perhaps twenty feet in length, which made a yellow streak against the green of a small inclosed pasture about a hundred yards away. We saw many such mounds that day; and this one where the ignoble sixteen lay was the shortest of the lot. Some mounds were fifty or sixty feet in length. I presume there were distinguishing marks on the filled-up trenches where the German dead lay, but from the automobile we could make out none.
As we started on again, after giving the little Hanoverian the last treasured copy of a paper we had managed to keep that long against continual importunity, a big Belgian dog, with a dragging tail and a sharp jackal nose, loped round from behind an undamaged cow barn which stood back of the riven shell of a house where the soldiers were quartered. He had the air about him of looking for somebody or something.
He stopped short, sniffing and whining, at sight of the gray coats bunched in the doorway; and then, running back a few yards, with his head all the time turned to watch the strangers, he sat on his haunches, stuck his pointed muzzle upward toward the sky and fetched a long, homesick howl from the bottom of his disconsolate canine soul. When we turned a bend in the road, to enter the first recognizable street of Liège, he was still hunkered down there in the rain. He finished the picture; he keynoted it. The composition of it—for me—was perfect now.
I mean no levity when I say that Liège was well shaken before taken; but merely that the phrase is the apt one for use, because it better expresses the truth than any other I can think of. Yet, considering what it went through, last month, Liège seemed to have emerged in better shape than one would have expected.
Driving into the town I saw more houses with white flags—the emblem of complete surrender—fluttering from sill and coping, than houses bearing marks of the siege. In the bombardment the shells mostly appeared to have passed above the town—which was natural enough, seeing that the principal Belgian forts stood on the hilltops westward of and overlooking the city; and the principal German batteries—at least, until the last day of fighting—were posted behind temporary defenses, hastily thrown up, well to the east and north.
Liège, squatted in the natural amphitheater below, practically escaped the fire of the big guns. The main concern of the noncombatants, they tell me, was to shelter themselves from the street fighting, which, by all accounts, was both stubborn and sanguinary. The doughty Walloons who live in this corner of Belgium have had the name of being sincere and willing workers with bare steel since the days when Charles the Bold, of Burgundy, sought to curb their rebellious spirits by razing their city walls and massacring some ten thousand of them. And quite a spell before that, I believe, Julius Cæsar found them tough to bend and hard to break.
As for the Germans, checked as they had been in their rush on France by a foe whom they had regarded as too puny to count as a factor in the war, they sacrificed themselves by hundreds and thousands to win breathing space behind standing walls until their great seventeen-inch siege guns could be brought from Essen and mounted by the force of engineers who came for that purpose direct from the Krupp works.
In that portion of the town lying west of the Meuse we counted perhaps ten houses that were leveled flat and perhaps twenty that were now but burnt-out, riddled hulls of houses, as empty and useless as so many shucked pea-pods. Of the bridges spanning the river, the principal one, a handsome four-span structure of stone ornamented with stone figures of river gods, lay now in shattered fragments, choking the current, where the Belgians themselves had blown it apart. One more bridge, or perhaps two—I cannot be sure—were closed to traffic because dynamite had made them unsafe; but the remaining bridges, of which I think there were three, showed no signs of rough treatment. Opposite the great University there was a big, black, ragged scar to show where a block of dwellings had stood.
Liège, to judge from its surface aspect, could not well have been quieter. Business went on; buyers and sellers filled the side streets and dotted the long stone quays. Old Flemish men fished industriously below the wrecked stone bridge, where the débris made new eddies in the swift, narrow stream; and blue pigeons swarmed in the plaza before the Palais de Justice, giving to the scene a suggestion of St. Mark's Square at Venice.
The German Landwehr, who were everywhere about, treated the inhabitants civilly enough, and the inhabitants showed no outward resentment against the Germans. But beneath the lid a whole potful of potential trouble was brewing, if one might believe what the Germans told us. We talked with a young lieutenant of infantry who in more peaceful times had been a staff cartoonist for a Berlin comic paper. He received us beneath the portico of the Théâtre Royale, built after the model of the Odéon in Paris. Two waspish rapid-fire guns stood just within the shelter at the columns, with their black snouts pointing this way and that to command the sweep of the three-cornered Place du Théâtre. A company of soldiers was quartered in the theater itself. At night, so the lieutenant said, those men who were off duty rummaged the costumes out of the dressing rooms, put them on, and gave mock plays, with music. An officer's horse occupied what I think must have been the box office. It put its head out of a little window just over our heads and nickered when other horses passed. Against the side of the building were posters advertising a French company to play the Gallicized version of an American farce—"Baby Mine"—by Margaret Mayo. The borders of the posters were ornamented with prints of American flags done in the proper colors.