Midsummer had passed them in their journey; their clothes were covered with dust; their faces browning in the hot sun. It was a very small boy that sat inside the basket and clung to the rim, his tow head shaking as the old man walked. He saw wonderful things, day after day, looking down at the green fields or peering into the gloomy reaches of the wood; and he talked about them.
'Uncle Eb—is that where the swifts are?' he would ask often; and the old man would answer, 'No; they ain't real sassy this time o' year. They lay 'round in the deep dingles every day.'
Then the small voice would sing idly or prattle with an imaginary being that had a habit of peeking over the edge of the basket or would shout a greeting to some bird or butterfly and ask finally: 'Tired, Uncle Eb?'
Sometimes the old gentleman would say 'not very', and keep on, looking thoughtfully at the ground. Then, again, he would stop and mop his bald head with a big red handkerchief and say, a little tremor of irritation in his voice: 'Tired! who wouldn't be tired with a big elephant like you on his back all day? I'd be 'shamed o' myself t' set there an' let an old man carry me from Dan to Beersheba. Git out now an' shake yer legs.'
I was the small boy and I remember it was always a great relief to get out of the basket, and having run ahead, to lie in the grass among the wild flowers, and jump up at him as he came along.
Uncle Eb had been working for my father five years before I was born. He was not a strong man and had never been able to carry the wide swath of the other help in the fields, but we all loved him for his kindness and his knack of story-telling. He was a bachelor who came over the mountain from Pleasant Valley, a little bundle of clothes on his shoulder, and bringing a name that enriched the nomenclature of our neighbourhood. It was Eben Holden.
He had a cheerful temper and an imagination that was a very wilderness of oddities. Bears and panthers growled and were very terrible in that strange country. He had invented an animal more treacherous than any in the woods, and he called it a swift. 'Sumthin' like a panther', he described the look of it: a fearsome creature that lay in the edge of the woods at sundown and made a noise like a woman crying, to lure the unwary. It would light one's eye with fear to hear Uncle Eb lift his voice in the cry of the swift. Many a time in the twilight when the bay of a hound or some far cry came faintly through the wooded hills, I have seen him lift his hand and bid us hark. And when we had listened a moment, our eyes wide with wonder, he would turn and say in a low, half-whispered tone: ''S a swift' I suppose we needed more the fear of God, but the young children of the pioneer needed also the fear of the woods or they would have strayed to their death in them.
A big bass viol, taller than himself, had long been the solace of his Sundays. After he had shaved—a ceremony so solemn that it seemed a rite of his religion—that sacred viol was uncovered. He carried it sometimes to the back piazza and sometimes to the barn, where the horses shook and trembled at the roaring thunder of the strings. When he began playing we children had to get well out of the way, and keep our distance. I remember now the look of him, then—his thin face, his soft black eyes, his long nose, the suit of broadcloth, the stock and standing collar and, above all, the solemnity in his manner when that big devil of a thing was leaning on his breast.
As to his playing I have never heard a more fearful sound in any time of peace or one less creditable to a Christian. Weekdays he was addicted to the milder sin of the flute and, after chores, if there were no one to talk with him, he would sit long and pour his soul into that magic bar of boxwood.
Uncle Eb had another great accomplishment. He was what they call in the north country 'a natural cooner'. After nightfall, when the corn was ripening, he spoke in a whisper and had his ear cocked for coons. But he loved all kinds of good fun.