“That man insisted that I should have my bust made and my portrait painted and agreed to pay for them, but now of course I shall have to pay for them myself. He has threatened to sue me for a hundred thousand dollars for breach of promise. It will take more than half my property.”
“Don't worry about the suit,” I said. “I'll agree to save you any cost in that matter. As to the bust, you can use it for a milestone in your history. The painting will show you how you looked when you were—not as wise as you are now. You can look at it and take warning.”
“I couldn't bear to look at them. I feel as if I never wanted to see myself again. I have written to everybody at home about this engagement. It's just perfectly dreadful!” Again she was near breaking down.
“You ought to be glad—not sorrowful,” I said. “That man can't even play a guitar. If he had a title or a fortune we wouldn't mind his being a scamp, but he hasn't. He hasn't even a coat of arms.”
“There! I'm not going to cry, after all,” she declared, as she wiped her eyes. “I'm glad you've kept me from breaking down.”
“I wonder that you didn't wait until you knew him better before making this engagement,” I said.
“But he was so gentlemanly and nice,” she went on; “and Mr. Pike, the lumber king from Michigan, introduced him to me and said that he had known him a long time. Then the colonel is acquainted with counts and barons and other grand people. He claimed to be an old friend of yours and of Mr. Norris. He said that the last time he called on you he went away with your hat by mistake, and showed me your initials in the one he wore.”
“He often associates with property of a questionable character, but I was not aware that he had got in with the counts and barons,” I said.
“He knows the Count Carola very well,” she declared.
“Leave them to each other—they deserve it,” I said. “Return to Rome and refer Wilton to me, and refuse to have anything more to do with him.”