“Oh, it is the wonderful Count Carola!” said she. “He is about the most fascinating creature that I ever saw.”
My brain reeled and fell at her feet and called silently for help. In half a second it had picked itself up again.
We went into the dining-room. What a fair of jewels and laces and fresh-cut flowers! At eleven o'clock they were going to have a dance—kind of a surprise party! They called it The Ball of the Roses. Our table had a big crop of red and white roses, and in the middle of it was a little fountain among ferns. Its spray fell with a pleasant sound upon water-lilies in a big, mossy bowl.
The retired lumber king sat opposite me, and a retired frog sat between us on a lily-pad at the edge of the fountain-bowl. He was a goodsized real frog who was planning to return to active life, I judged, for he sat with alert eyes as if on the lookout for a business opportunity. I observed that he looked hopefully at me when I sat down at the right of Mrs. Fraley, with Mrs. Sampf at my side, as if willing to abandon the frivolous life any minute if I could suggest an opening for an energetic young frog. Mrs. Fraley explained that the frog was tied to the edge of the bowl by a silk thread which was fastened about his neck. I ceased then to fear and suspect him.
I could not help thinking how much good Terre Haute money had gone into these decorations, and we should have been just as well pleased without the frog and the fountain.
Here we are at last right in the midst of things—grandeur! high life! nobility! abdominal hills and valleys! fair slopes of rolling, open country with their stones imbedded in gold and platinum! toes twinging with gout! faces with the utohel look on them!
What a pantheon of rococo deities was this dining-room—princes and princesses, counts and discounts, countesses and marquises, Wall Street millionaires and millionheiresses, and average American wives and widows with friends and dining-men. What is a dining-man? He's a professional diner-out. He has only to look aristocratic and speak Italian—or English with a Fifth-Avenue accent—and be able to recognize the people worth while. A fat old English duchess with a staff in her hand and the royal purple in her hair made her way to her table with the walk of an apple-woman. There was no nonsense about her, no illusions, no clinging to a vanished youth. She was a real woman, and I could have kissed the hem of her garments for joy.
A lady sat at one of the tables who suggested the chloride of nitrogen, being so fat and fetched in at the waist that her shoulders heaved at every breath, and one could not look at her without fearing that she would explode and fill the air with hooks and eyes and buttons.
A large, swell-front, fully furnished Pennsylvania widow sat near us with her young daughter and a marquis and a well-earned reputation for great wealth. It seemed to be a busy, popular, agreeable reputation, with many acquaintances in the room. The widow's costume pleaded for observation and secured it, for she sat serene and prodigious in jeweled fat and satin, dripping pearls and emeralds and diamonds. There was a battlement of diamonds on her brow and a cinch of them on her neck, surrounded by a stone wall of pearls as big as the marbles that I used to play with as a boy. Hanging from her ears were two mammoth pearls, either of which in a sling might have slain Goliath. Her shoulders glowed with gems, and a stomacher of diamonds adorned her intemperate zone. What a fresco of American abundance she made in the remarkable decorations of that room. By and by she drew a wallet from her breast and paid her bill.
“How wonderful!” our hostess exclaimed, suddenly.