“The Frenchman,” she said, “has been paying me unwelcome attentions ever since the first night of my appearance in New York. He became so odious to me at length that I refused to accept any of his gifts, and, in spite of the protests of my managers, returned everything he had sent me, including the portrait.”
I did not tell her that it was this same Frenchman to whom I was indebted for my wounds. Of that I must wait for more palpable evidence, though not for my own convincing. It seemed strange to me then that just at the moment this thought was passing through my mind she asked me whom I suspected of having committed the assault. It occurred to me after she had gone that possibly she had some cause to suspect the man who had been the subject of our conversation.
Rayel always came late in the day, when there was no chance of meeting other callers, and stayed with me until bedtime. As returning strength brought back to me that interest in life which prompts keen observation, I could see that a great change was coming over him. His face wore a melancholy look which indicated too clearly that his mind was suffering under some sad oppression. He was as gentle and considerate as ever, and as tireless in his efforts to increase my comfort, but he rarely spoke now, except in reply to my questions. He would sit by my side for hours, gazing out of the window with a vacant look in his eyes, until the light of day grew dim and the lamps were lighted. When supper was served to us I could never induce him to eat.
“What is the trouble, Rayel?” I asked, one evening. “You are not yourself lately.”
Neither of us had spoken for a long time. He turned suddenly, as if startled by my words, his lips quivered, and stammering almost incoherently, he rose to his feet. Then he stood erect before me for a moment, looking sadly and thoughtfully into my eyes.
“Nothing, Kendric,” he said presently, in a deep tone that trembled with emotion. “I think I have been working too hard and need exercise—that is all.” Then he grasped my hand warmly and bade me good night.
I believe his answer to my question was the first lie that he had ever spoken.
CHAPTER XI
Next day I was discharged from the hospital, and Rayel and I were driven to our apartments. He had a number of surprises prepared for me. A large painting on his easel, awaiting some finishing touches, compelled my attention as soon as I entered the room. It represented a scene in our own lives, which had lasted but a second, but which could never be forgotten by either of us. He had seen me when I stood looking backward in that vivid flash of lightning—there could be no doubt of it now, for here was the scene transferred to canvas. The shaft of white light shaking and darting across the black sky like a gleaming sword; the man on the sidewalk looking backward with a startled glance; the big drops of rain falling sidelong in the wind—these were all reproduced on the canvas. His later pictures were characterized by a cynical tendency, which I observed with regret. It was evident that his sensitive mind had taken impressions from its brief contact with men, which were sadly affecting his thought.