[Footnote 1: One is reminded of the song of the sentry before the House of Parliament in Gilbert and Sullivan's "Iolanthe";

"'T is strange how Nature doth contrive
That every little boy or gal,
That's born into the world alive,
Is either a little Liberal,
Or else a little Conservative!">[

Uncritical veneration of the past. The extreme form of uncritical veneration of the past may be said to take the position that old things are good simply because they are old; new things are evil simply because they are new. Institutions, Ideas, Customs are, like wines, supposed to attain quality with age. A custom, a law, a code of morals is defined or maintained on the ground of its ancient—and honorable—history, of the great span of years during which it has been current, of the generation after generation that has lived under its auspices. The ways of our fathers, the old time-tested ways, these, we are told, must be our ways.

The psychological origins of this position have in part been discussed. There is in some individuals a highly developed sentiment and reverence for tradition as such, and an æsthetic sensibility to the mellowness, ripeness, and charm that so often accompany old things.[1] The new seems, as it often is, loud, brassy, vulgar, and hard. But there are other and equally important causes. Men trust and cherish the familiar in ideas, customs, and social organization, just as they trust and cherish old friends. They know what to expect from them; they have their well-noted excellences, and, while they have their defects, these also are definitely known and can be definitely reckoned with. The old order may not be perfect, but it is an order, and an order whose outlines and possibilities are known and predictable. Change means change to the unaccustomed and the unfamiliar. And the unaccustomed and the unfamiliar, as already pointed out, normally arouse fear. One of the conventional phrases (which has become conventional because it is accurate) with which changes have been greeted is the cliché, "we view with alarm." No small part of genuine opposition to change comes from the cautious and conscientious types of mind which will not sanction the reckless taking of chances, especially where the interests of large groups are concerned, which want to know precisely where a change will lead. Such a mind holds off from committing society to making changes that will put a situation beyond control and lead to unforeseen and uncontrollable dangers. Especially is this felt by the administrator, by the man who has experience with the difficulties of putting ideas in practice, who knows how vastly more difficult it is to operate with people than with paper.[2] The man of affairs knows how easy it is to check and change ideas in one's mind, but knows also the uncontrollable momentum of ideas when they are acted upon by vast numbers of men.

[Footnote 1: "Oxford," said a distinguished visitor to that venerable institution, "looks just as it ought to look." And one is reminded of the story of the American lady who, admiring the smooth lawns at Oxford, asked a gardener how they managed to give them that velvet gloss. "We roll them, madam," he said, "for eight hundred years.">[

[Footnote 2: Thus writes Catharine II, in a letter to Diderot, the French philosopher and humanitarian: "M. Diderot, in all your schemes of reform, you entirely forget the difference in our position; you work only on paper, which endures all things; it offers no obstacle, either to your pen or your imagination. But I, poor Empress that I am, work on a far more delicate and irritable substance, the human skin.">[

Again, the maintenance of ways that have been practiced in the past has a large hold over people, for reasons already discussed in the chapter on Habit. The old and the accustomed are comfortable and facile; change means inconvenience and frustration of habitual desires. This is in part the explanation of the increasing conservatism of men as they grow older. Not only do they have a keener sense of the difficulty of introducing changes, but their own fixed habits of mind and emotion make part of the difficulty. They like the old ways and persist in them just as they like and keep old books, old friends, and old shoes.

Romantic idealization of the past. Reverence for the past may also be due to a romantic idealization of it. In such cases, it is not an interest in maintaining the present order; it is rather a contempt for the present and wistful yearning for the "good old days." Everyone indulges more or less in such idealization. Such halos are made possible because we retain the pleasant rather than the painful and dreary aspects of our past experience. The college alumnus returning to the campus tells of the since unsurpassed intellectual and athletic feats of the freshman class of which he was a member. The elderly gentleman sighs over his newspaper at the bad ways into which the world is degenerating, and yearns for the old days when the plays were better, conversation more interesting, houses more comfortable, and men more loyal. In similar trivial instances we are all inclined to indulge in such mythology. The universality and age of this tendency has been well described by a student of Greek civilization.

This is the belief of the old school of every age—there was once a "good" time; and it matters not at all in the study of moral ideals that no such time can be shown to have existed. The men of the fourth century [B.C.] say that it was in the fifth; those of the fifth say it was in the sixth; and so on infinitely. The same ideal was at work when William Morris looked to the thirteenth century, forgetting that Dante looked to a still earlier period; and both forgot that the men of that earlier period said the same—"not now, indeed, but before us men were happy." So simpler men incline to say that their grandfathers were fine fellows, but the "old college is going to the dogs," or "the House of Commons is not what it was once," for reverence and faith and manliness once ruled the world. The old school lives upon an ignorance of history; it is genuinely moved by a simple moral ideal of life and character which its own imagination has created. And when evil becomes obvious, it is the new-fangled notions that are to blame. "Trying new dodges" has brought Athens down in the world—as Aristophanes in 393 B.C. makes his protagonist say:

"And would it not have saved the Athenian state,
If she kept to what was good, and did not try
Always some new plan?"[1]