Sir Henry Spelman neglected the sciences in his youth, but cultivated them at fifty years of age. His early years were chiefly passed in farming, which greatly diverted him from his studies; but a remarkable disappointment respecting a contested estate disgusted him with these rustic occupations: resolved to attach himself to regular studies, and literary society, he sold his farms, and became the most learned antiquary and lawyer.
Colbert, the famous French minister, almost at sixty, returned to his Latin and law studies.
Dr. Johnson applied himself to the Dutch language but a few years before his death. The Marquis de Saint Aulaire, at the age of seventy, began to court the Muses, and they crowned him with their freshest flowers. The verses of this French Anacreon are full of fire, delicacy, and sweetness.
Chaucer's Canterbury Tales were the composition of his latest years: they were begun in his fifty-fourth year, and finished in his sixty-first.
Ludovico Monaldesco, at the extraordinary age of 115, wrote the memoirs of his times. A singular exertion, noticed by Voltaire; who himself is one of the most remarkable instances of the progress of age in new studies.
The most delightful of autobiographies for artists is that of Benvenuto Cellini; a work of great originality, which was not begun till "the clock of his age had struck fifty-eight."
Koornhert began at forty to learn the Latin and Greek languages, of which he became a master; several students, who afterwards distinguished themselves, have commenced as late in life their literary pursuits. Ogilby, the translator of Homer and Virgil, knew little of Latin or Greek till he was past fifty; and Franklin's philosophical pursuits began when he had nearly reached his fiftieth year.
Accorso, a great lawyer, being asked why he began the study of the law so late, answered, beginning it late, he should master it the sooner.
Dryden's complete works form the largest body of poetry from the pen of a single writer in the English language; yet he gave no public testimony of poetic abilities till his twenty-seventh year. In his sixty-eighth year he proposed to translate the whole Iliad: and his most pleasing productions were written in his old age.
Michael Angelo preserved his creative genius even in extreme old age: there is a device said to be invented by him, of an old man represented in a go-cart, with an hour-glass upon it; the inscription Ancora imparo!—Yet I am Learning!