Miss Aikin's Court of James the First appeared two years after this article was written; it has occasioned no alteration. I refer the reader to her clear narrative, ii. p. 30, and p. 63; but secret history is rarely discovered in printed books.
These particulars I find in the manuscript letters of J. Chamberlain. Sloane MSS. 4172, (1616). In the quaint style of the times, the common speech ran, that Lord Coke had been overthrown by four P's—PRIDE, Prohibitions, Præmunire, and Prerogative. It is only with his moral quality, and not with his legal controversies, that his personal character is here concerned.
In the Lambeth manuscripts, 936, is a letter of Lord Bacon to the king, to prevent the match between Sir John Villiers and Mrs. Coke. Art. 63. Another, Art. 69. The spirited and copious letter of James, "to the Lord Keeper," is printed in "Letters, Speeches, Charges, &c., of Francis Bacon," by Dr. Birch, p. 133.
Stoke Pogis, in Buckinghamshire; the delightful seat of J. Penn, Esq. It was the scene of Gray's "Long Story," and the chimneys of the ancient house still remain, to mark the locality; a column on which is fixed a statue of Coke, erected by Mr. Penn, consecrates the former abode of its illustrious inhabitant.
A term then in use for base or mixed metal.
Lambeth MSS. 936, art. 69 and 73.
State Trials.
Prynne was condemned for his "Histriomastix," a book against actors and acting, in which he had indulged in severe remarks on female performers; and Henrietta Maria having frequently personated parts in Court Masques, the offensive words were declared to have been levelled at her. He was condemned to fine and imprisonment, was pilloried at Westminster and Cheapside, and had an ear cut off at each place.
Prynne, who ultimately quarrelled with the Puritans, was made Keeper of the Records of the Tower by Charles the Second, who was advised thereto by men who did not know how else to keep "busy Mr. Prynne" out of political pamphleteering. He went to the work of investigation with avidity, and it was while so employed that he followed the mode of life narrated in the preceding page.
I cannot subscribe to the opinion that Anthony Wood was a dull man, although he had no particular liking for works of imagination; and used ordinary poets scurvily! An author's personal character is often confounded with the nature of his work. Anthony has sallies at times to which a dull man could not be subject; without the ardour of this hermit of literature where would be our literary history?