Scaron, account of his life and works, i. 421-428.
Scenery of the old English stage, iii. [4], and note.
Scenarie, the plots of extemporal comedies, ii. 130; description of, note; some discovered at Dulwich College, 139, 140, and note.
Scribleraid, the, a poetical jest on pseudo-science, by R. O. Cambridge, i. 295, and note.
Scripture story treated like mediæval romance, i. 163, and note.
Scudery, Mademoiselle, composed ninety romances, i. 106; panegyrics on, ib.; her “Great Cyrus and Map of Tenderness,” 107.
Scudery, George, famous for composing romances, i. 107; a votary of vanity, ib.; author of sixteen plays, 108.
Secret History, of authors who have ruined their booksellers, ii. 532-546; of an elective monarchy, iii. [346]-363; the supplement of history itself, iii. [380]; reply to an attack on the writers of, [382]; two species of, positive and relative, ib.; the true sources of to be found in MS collections, [383]; neglect of by historians, [384]; its utility, [385]; of the Restoration, [386]; of Mary, the Queen of William III., [389]-393.
Sedan chairs, introduced into England by the Duke of Buckingham, ii. 36.
Segni, Bernardo, his History of Florence, iii. [182].