In the Experiments of the fourth Proposition of the first Part of this first Book, when I had separated the heterogeneous Rays from one another, the Spectrum pt formed by the separated Rays, did in the Progress from its End p, on which the most refrangible Rays fell, unto its other End t, on which the least refrangible Rays fell, appear tinged with this Series of Colours, violet, indigo, blue, green, yellow, orange, red, together with all their intermediate Degrees in a continual Succession perpetually varying. So that there appeared as many Degrees of Colours, as there were sorts of Rays differing in Refrangibility.
Exper. 5. Now, that these Colours could not be changed by Refraction, I knew by refracting with a Prism sometimes one very little Part of this Light, sometimes another very little Part, as is described in the twelfth Experiment of the first Part of this Book. For by this Refraction the Colour of the Light was never changed in the least. If any Part of the red Light was refracted, it remained totally of the same red Colour as before. No orange, no yellow, no green or blue, no other new Colour was produced by that Refraction. Neither did the Colour any ways change by repeated Refractions, but continued always the same red entirely as at first. The like Constancy and Immutability I found also in the blue, green, and other Colours. So also, if I looked through a Prism upon any Body illuminated with any part of this homogeneal Light, as in the fourteenth Experiment of the first Part of this Book is described; I could not perceive any new Colour generated this way. All Bodies illuminated with compound Light appear through Prisms confused, (as was said above) and tinged with various new Colours, but those illuminated with homogeneal Light appeared through Prisms neither less distinct, nor otherwise colour'd, than when viewed with the naked Eyes. Their Colours were not in the least changed by the Refraction of the interposed Prism. I speak here of a sensible Change of Colour: For the Light which I here call homogeneal, being not absolutely homogeneal, there ought to arise some little Change of Colour from its Heterogeneity. But, if that Heterogeneity was so little as it might be made by the said Experiments of the fourth Proposition, that Change was not sensible, and therefore in Experiments, where Sense is Judge, ought to be accounted none at all.
Exper. 6. And as these Colours were not changeable by Refractions, so neither were they by Reflexions. For all white, grey, red, yellow, green, blue, violet Bodies, as Paper, Ashes, red Lead, Orpiment, Indico Bise, Gold, Silver, Copper, Grass, blue Flowers, Violets, Bubbles of Water tinged with various Colours, Peacock's Feathers, the Tincture of Lignum Nephriticum, and such-like, in red homogeneal Light appeared totally red, in blue Light totally blue, in green Light totally green, and so of other Colours. In the homogeneal Light of any Colour they all appeared totally of that same Colour, with this only Difference, that some of them reflected that Light more strongly, others more faintly. I never yet found any Body, which by reflecting homogeneal Light could sensibly change its Colour.
From all which it is manifest, that if the Sun's Light consisted of but one sort of Rays, there would be but one Colour in the whole World, nor would it be possible to produce any new Colour by Reflexions and Refractions, and by consequence that the variety of Colours depends upon the Composition of Light.
DEFINITION.
The homogeneal Light and Rays which appear red, or rather make Objects appear so, I call Rubrifick or Red-making; those which make Objects appear yellow, green, blue, and violet, I call Yellow-making, Green-making, Blue-making, Violet-making, and so of the rest. And if at any time I speak of Light and Rays as coloured or endued with Colours, I would be understood to speak not philosophically and properly, but grossly, and accordingly to such Conceptions as vulgar People in seeing all these Experiments would be apt to frame. For the Rays to speak properly are not coloured. In them there is nothing else than a certain Power and Disposition to stir up a Sensation of this or that Colour. For as Sound in a Bell or musical String, or other sounding Body, is nothing but a trembling Motion, and in the Air nothing but that Motion propagated from the Object, and in the Sensorium 'tis a Sense of that Motion under the Form of Sound; so Colours in the Object are nothing but a Disposition to reflect this or that sort of Rays more copiously than the rest; in the Rays they are nothing but their Dispositions to propagate this or that Motion into the Sensorium, and in the Sensorium they are Sensations of those Motions under the Forms of Colours.
PROP. III. Prob. I.
To define the Refrangibility of the several sorts of homogeneal Light answering to the several Colours.
For determining this Problem I made the following Experiment.[J]
Exper. 7. When I had caused the Rectilinear Sides AF, GM, [in Fig. 4.] of the Spectrum of Colours made by the Prism to be distinctly defined, as in the fifth Experiment of the first Part of this Book is described, there were found in it all the homogeneal Colours in the same Order and Situation one among another as in the Spectrum of simple Light, described in the fourth Proposition of that Part. For the Circles of which the Spectrum of compound Light PT is composed, and which in the middle Parts of the Spectrum interfere, and are intermix'd with one another, are not intermix'd in their outmost Parts where they touch those Rectilinear Sides AF and GM. And therefore, in those Rectilinear Sides when distinctly defined, there is no new Colour generated by Refraction. I observed also, that if any where between the two outmost Circles TMF and PGA a Right Line, as γδ, was cross to the Spectrum, so as both Ends to fall perpendicularly upon its Rectilinear Sides, there appeared one and the same Colour, and degree of Colour from one End of this Line to the other. I delineated therefore in a Paper the Perimeter of the Spectrum FAP GMT, and in trying the third Experiment of the first Part of this Book, I held the Paper so that the Spectrum might fall upon this delineated Figure, and agree with it exactly, whilst an Assistant, whose Eyes for distinguishing Colours were more critical than mine, did by Right Lines αβ, γδ, εζ, &c. drawn cross the Spectrum, note the Confines of the Colours, that is of the red MαβF, of the orange αγδβ, of the yellow γεζδ, of the green ηθζ, of the blue ηικθ, of the indico ιλμκ, and of the violet λGAμ. And this Operation being divers times repeated both in the same, and in several Papers, I found that the Observations agreed well enough with one another, and that the Rectilinear Sides MG and FA were by the said cross Lines divided after the manner of a Musical Chord. Let GM be produced to X, that MX may be equal to GM, and conceive GX, λX, ιX, ηX, εX, γX, αX, MX, to be in proportion to one another, as the Numbers, 1, 8/9, 5/6, 3/4, 2/3, 3/5, 9/16, 1/2, and so to represent the Chords of the Key, and of a Tone, a third Minor, a fourth, a fifth, a sixth Major, a seventh and an eighth above that Key: And the Intervals Mα, αγ, γε, εη, ηι, ιλ, and λG, will be the Spaces which the several Colours (red, orange, yellow, green, blue, indigo, violet) take up.