Opticks

by Isaac Newton

Exper. 10. Let that Spectrum or solar Image PT [in Fig. 6.] fall now upon the Lens MN above four Inches broad, and about six Feet distant from the Prism ABC and so figured that it may cause the coloured Light which divergeth from the Prism to converge and meet again at its Focus G, about six or eight Feet distant from the Lens, and there to fall perpendicularly upon a white Paper DE. And if you move this Paper to and fro, you will perceive that near the Lens, as at de, the whole solar Image (suppose at pt) will appear upon it intensely coloured after the manner above-explained, and that by receding from the Lens those Colours will perpetually come towards one another, and by mixing more and more dilute one another continually, until at length the Paper come to the Focus G, where by a perfect mixture they will wholly vanish and be converted into whiteness, the whole Light appearing now upon the Paper like a little white Circle. And afterwards by receding farther from the Lens, the Rays which before converged will now cross one another in the Focus G, and diverge from thence, and thereby make the Colours to appear again, but yet in a contrary order; suppose at δε, where the red t is now above which before was below, and the violet p is below which before was above.

Let us now stop the Paper at the Focus G, where the Light appears totally white and circular, and let us consider its whiteness. I say, that this is composed of the converging Colours. For if any of those Colours be intercepted at the Lens, the whiteness will cease and degenerate into that Colour which ariseth from the composition of the other Colours which are not intercepted. And then if the intercepted Colours be let pass and fall upon that compound Colour, they mix with it, and by their mixture restore the whiteness. So if the violet, blue and green be intercepted, the remaining yellow, orange and red will compound upon the Paper an orange, and then if the intercepted Colours be let pass, they will fall upon this compounded orange, and together with it decompound a white. So also if the red and violet be intercepted, the remaining yellow, green and blue, will compound a green upon the Paper, and then the red and violet being let pass will fall upon this green, and together with it decompound a white. And that in this Composition of white the several Rays do not suffer any Change in their colorific Qualities by acting upon one another, but are only mixed, and by a mixture of their Colours produce white, may farther appear by these Arguments.

Fig. 6.

If the Paper be placed beyond the Focus G, suppose at δε, and then the red Colour at the Lens be alternately intercepted, and let pass again, the violet Colour on the Paper will not suffer any Change thereby, as it ought to do if the several sorts of Rays acted upon one another in the Focus G, where they cross. Neither will the red upon the Paper be changed by any alternate stopping, and letting pass the violet which crosseth it.

And if the Paper be placed at the Focus G, and the white round Image at G be viewed through the Prism HIK, and by the Refraction of that Prism be translated to the place rv, and there appear tinged with various Colours, namely, the violet at v and red at r, and others between, and then the red Colours at the Lens be often stopp'd and let pass by turns, the red at r will accordingly disappear, and return as often, but the violet at v will not thereby suffer any Change. And so by stopping and letting pass alternately the blue at the Lens, the blue at v will accordingly disappear and return, without any Change made in the red at r. The red therefore depends on one sort of Rays, and the blue on another sort, which in the Focus G where they are commix'd, do not act on one another. And there is the same Reason of the other Colours.

I considered farther, that when the most refrangible Rays Pp, and the least refrangible ones Tt, are by converging inclined to one another, the Paper, if held very oblique to those Rays in the Focus G, might reflect one sort of them more copiously than the other sort, and by that Means the reflected Light would be tinged in that Focus with the Colour of the predominant Rays, provided those Rays severally retained their Colours, or colorific Qualities in the Composition of White made by them in that Focus. But if they did not retain them in that White, but became all of them severally endued there with a Disposition to strike the Sense with the Perception of White, then they could never lose their Whiteness by such Reflexions. I inclined therefore the Paper to the Rays very obliquely, as in the second Experiment of this second Part of the first Book, that the most refrangible Rays, might be more copiously reflected than the rest, and the Whiteness at Length changed successively into blue, indigo, and violet. Then I inclined it the contrary Way, that the least refrangible Rays might be more copious in the reflected Light than the rest, and the Whiteness turned successively to yellow, orange, and red.

Lastly, I made an Instrument XY in fashion of a Comb, whose Teeth being in number sixteen, were about an Inch and a half broad, and the Intervals of the Teeth about two Inches wide. Then by interposing successively the Teeth of this Instrument near the Lens, I intercepted Part of the Colours by the interposed Tooth, whilst the rest of them went on through the Interval of the Teeth to the Paper DE, and there painted a round Solar Image. But the Paper I had first placed so, that the Image might appear white as often as the Comb was taken away; and then the Comb being as was said interposed, that Whiteness by reason of the intercepted Part of the Colours at the Lens did always change into the Colour compounded of those Colours which were not intercepted, and that Colour was by the Motion of the Comb perpetually varied so, that in the passing of every Tooth over the Lens all these Colours, red, yellow, green, blue, and purple, did always succeed one another. I caused therefore all the Teeth to pass successively over the Lens, and when the Motion was slow, there appeared a perpetual Succession of the Colours upon the Paper: But if I so much accelerated the Motion, that the Colours by reason of their quick Succession could not be distinguished from one another, the Appearance of the single Colours ceased. There was no red, no yellow, no green, no blue, nor purple to be seen any longer, but from a Confusion of them all there arose one uniform white Colour. Of the Light which now by the Mixture of all the Colours appeared white, there was no Part really white. One Part was red, another yellow, a third green, a fourth blue, a fifth purple, and every Part retains its proper Colour till it strike the Sensorium. If the Impressions follow one another slowly, so that they may be severally perceived, there is made a distinct Sensation of all the Colours one after another in a continual Succession. But if the Impressions follow one another so quickly, that they cannot be severally perceived, there ariseth out of them all one common Sensation, which is neither of this Colour alone nor of that alone, but hath it self indifferently to 'em all, and this is a Sensation of Whiteness. By the Quickness of the Successions, the Impressions of the several Colours are confounded in the Sensorium, and out of that Confusion ariseth a mix'd Sensation. If a burning Coal be nimbly moved round in a Circle with Gyrations continually repeated, the whole Circle will appear like Fire; the reason of which is, that the Sensation of the Coal in the several Places of that Circle remains impress'd on the Sensorium, until the Coal return again to the same Place. And so in a quick Consecution of the Colours the Impression of every Colour remains in the Sensorium, until a Revolution of all the Colours be compleated, and that first Colour return again. The Impressions therefore of all the successive Colours are at once in the Sensorium, and jointly stir up a Sensation of them all; and so it is manifest by this Experiment, that the commix'd Impressions of all the Colours do stir up and beget a Sensation of white, that is, that Whiteness is compounded of all the Colours.

And if the Comb be now taken away, that all the Colours may at once pass from the Lens to the Paper, and be there intermixed, and together reflected thence to the Spectator's Eyes; their Impressions on the Sensorium being now more subtilly and perfectly commixed there, ought much more to stir up a Sensation of Whiteness.