There is no genre that the Chinese artist has not attempted. They have treated in turn mythological, religious and historical subjects of every kind; they have painted scenes of daily familiar life, as well as those inspired by poetry and romance; sketched still life, landscapes and portraits. Their highest achievements, perhaps, have been in landscapes, which reveal a passionate love for nature, and show with how delicate a charm, how sincere and lively a poetic feeling, they have interpreted its every aspect. They have excelled too at all periods in the painting of animals and birds, especially of birds and flying insects in conjunction with flowers.—S. W. Bushell in "Chinese Art."
VI
THE EMPRESS DOWAGER—AS AN ARTIST
One day the head eunuch from the palace of the Princess Shun called at our home to ask Mrs. Headland to go and see the Princess. While sitting in my study and looking at the Chinese paintings hanging on the wall, two of which were from the brush of Her Majesty, he remarked:
"You are fond of Chinese art?"
"I am indeed fond of it," I answered.
"I notice you have some pictures painted by the Old Buddha," he continued, referring to the Empress Dowager by a name by which she is popularly known in Peking.
"Yes, I have seven pictures from her brush," I answered.
"Do you happen to have any from the brush of the Lady Miao, her painting teacher?" he inquired.
"I am sorry to say I have not," I replied. "I have tried repeatedly to secure one, but thus far have failed. I have inquired at all the best stores on Liu Li Chang, the great curio street, but they have none, and cannot tell me where I can find one."