FOOTNOTES:

[5] I have lately brought forward some facts of this kind, relating to an abbot of a Nitrian monastery. Essays, &c.; Nilus.

[6] These are, Palladius, Eusebius, Socrates, Jerome, Rufinus, Evagrius, Cassian; and others incidentally.

[7] An account in full of these researches appeared in No. CLIII. of the Quarterly Review (1845), and afterwards in the Edinburgh Review.

[8] The reader who is a student in Biblical criticism will know where to look for precise information on this ground.

CHAPTER XVII.
THE PROCESS OF HISTORIC EVIDENCE EXEMPLIFIED IN THE INSTANCE OF HERODOTUS.

We have now seen in what way, and liable to what conditions, the mass of ancient literature, including the Holy Scriptures, has been sent forward through the long track of centuries intervening between the times of its production and the revival of learning, and the employment of the printing-press, in these modern times.

What I now propose to do is to place before the reader—in a single and a very signal instance, the entire historic process; or that method of proceeding by means of which we, at this time, may find our way retrogressively upwards, along the high road of history from this, our nineteenth century, to the times—four and five hundred years before the Christian era. This journey is not of less extent than two thousand five hundred years, and it brings us to the time of the last of the Hebrew prophets.

A very frequent phrase in historical writings of any sort relating to antiquity is this, “Herodotus informs us, so and so.” Now my questions, in hearing this, are these: “This Herodotus, who was he? When did he live? What did he write? and how do I know that the books which bear his name on the title-page, were written by any such person, or at the time to which they are usually assigned?” And then, supposing these questions to be answered to my satisfaction, “What reason have I for believing that the narratives which I find in these books are, in the main, true? How does it appear that what I read is history, and is not fiction?”

We select Herodotus as a sample of this process, or this method of historic proof, for several reasons:—such as these. This Greek writer stands forward as the “Father of history;” he is the earliest of all extant writers of this class, excepting those of the Old Testament; his writings embrace a great compass of subjects—in fact, they give us, in outline or in detail, almost all we know of the nations of a remote antiquity. Then there is this peculiar circumstance attaching to the writings of this author, that, after having been much disparaged in modern times, and his credit greatly lowered, he has, within a few years, been restored to his place of authority by the greater intelligence of recent writers; and by an extension of our knowledge of the countries spoken of by him, as to their natural productions, their arts, their works, and their history. Of late—and almost every year has done something to bring about this result—Herodotus has returned to his position; and his assailants and critics have, in consequence, fallen out of repute. These writings, therefore, are samples at once of the authenticity of ancient history, and of what may be called the immortality of historic truth—its resurrection to a new life, after a period of entombment.