Just fourteen hundred years and twenty-six
Since Lord Christ did invent the crucifix.
Lovers of Art, pray for me that I gain
God’s grace, nor find I’ve painted, lived, in vain.”
"L'HOMME À L'ŒUILLET."—VAN EYCK.
Jan van Eyck was courtier as well as artist. As a young man, he was employed by John of Bavaria, Bishop of Liège, and after the death of his brother we hear of him as gentleman of the chamber to Philip the Good, Duke of Burgundy, by whom he was sent on various missions. One of his journeys was made to Portugal, where he painted the portrait of Princess Isabella, who afterward became the second wife of the Duke, and in whose honour the Order of the Golden Fleece was founded. His famous picture called “L’homme à l’œuillet,” was the portrait of Jean de Roubaix, who accompanied him to Portugal and arranged the marriage of the Princess with the great Duke. Jan seems to have possessed the modesty of true greatness, for on more than one of his pictures is found the motto, “Als Ikh Kan,” As I can. During the latter part of his life he lived at Bruges, where he died in 1440.
In the midst of his court duties, Jan found time to go on with the great altar-piece, which he completed in 1432. A few years later, he produced what is perhaps his finest religious painting next to the Adoration, the Madonna of the Canon van der Paele. This picture represents the Virgin and Child enthroned in a stately basilica, probably the cathedral of St. Donatian at Bruges. In the foreground, on the right stands St. George, on the left St. Donatian. On the Virgin’s left, upon his knees, is George van der Paele, Canon of St. Donatian, the donor of the painting.
This Virgin and St. Donatian by Jan van Eyck would make one think, says Fromentin, “that the art of painting had said its last word, and that from the first hour. And yet, without changing either theme or method, Memling was going to say something more.”