During the reign of Iván the Terrible, secular literature and authors from the highest classes of society again made their appearance; in fact, they had never wholly disappeared during the interval. Iván the Terrible himself headed the list, and Prince Andréi Mikháilovitch Kúrbsky was almost his equal in rank, and more than his equal in importance from a literary point of view. Iván the Terrible's writings show the influence of his epoch, his oppressed and agitated childhood, his defective education; and like his character, they are the perfectly legitimate expression of all that had taken place in the kingdom of Moscow.
The most striking characteristic of Iván's writings is his malicious, biting irony, concealed beneath an external aspect of calmness; and it is most noticeable in his principal works, his "Correspondence with Prince Kúrbsky," and his "Epistle to Kozmá, Abbot of the Kiríllo-Byelózersk Monastery." They display him as a very well-read man, intimately acquainted with the Scriptures, and the translations from the Fathers of the Church, and the Russian Chronicles, as well as with general history. Abbot Kozmá had complained to the Tzar concerning the conduct of certain great nobles who had become inmates of his monastery, some voluntarily, others by compulsion, as exiles from court, and who were exerting a pernicious influence over the monks. Iván seized the opportunity thus presented to him, to pour out all the gall of his irony on the monks, who had forsaken the lofty, spiritual traditions of the great holy men of Russia.
Of much greater importance, as illustrating Iván's literary talent, is his "Correspondence with Prince Kúrbsky" (1563-1579), a warrior of birth as good as Iván's own, a former favorite of his, who, in 1563, probably in consequence of the profound change in Iván's conduct, which had taken place, and weighed so heavily upon the remainder of his reign, fled to Iván's enemy, the King of Poland. The abuses of confidence and power, with the final treachery of Priest Sylvester (Iván's adviser in ecclesiastical affairs), and of Adásheff (his adviser in temporal matters), had changed the Tzar from a mild, almost benevolent, sovereign, into a raging despot. On arriving in Poland, Prince Kúrbsky promptly wrote to Iván announcing his defection, and plainly stating the reasons therefor. When Iván received this epistle—the first in the celebrated and valuable historical correspondence which ensued—he thrust his iron-shod staff through the foot of the bearer, at the bottom of the Red (or Beautiful) Staircase in the Kremlin, and leaning heavily upon it, had the letter read to him, the messenger making no sign of his suffering the while. Kúrbsky asserted the rights of the individual, as against the sovereign power, and accused Iván of misusing his power. Iván, on his side, asserted his omnipotent rights, ascribed to his own credit all the noteworthy events of his reign, accused Kúrbsky of treason, and demonstrated to the Prince (with abundant Scriptural quotations), that he had not only ruined his own soul, but also the souls of his ancestors—a truly Oriental point of view. "If thou art upright and pious," he writes, "why wert not thou willing to suffer at the hands of me, thy refractory sovereign lord, and receive from me the crown of life?... Thou hast destroyed thy soul for the sake of thy body ... and hast waxed wroth not against a man, but against God."
Kúrbsky's letters reveal in him a far more cultivated man, with more sense of decency and self control, and even elegance of diction, than the Tzar. He even reproaches the latter, in one letter, for his ignorance of the proper way to write, and for his lack of culture, and tells him he ought to be ashamed of himself, comparing the Tzar's literary style with "the ravings of women," and accusing him of writing "barbarously."
In addition to these letters, Kúrbsky wrote a remarkable history of Iván the Terrible's reign, entitled, "A History of the Grand Principality of Moscow, Concerning the Deeds Which We Have Heard from Trustworthy Men, and Have also Beheld with Our Own Eyes." It is brought down to the year 1578. This history is important as the first work in Russian literature in which a completely successful attempt was made to write a fluent historical narrative (instead of setting forth facts in the style of the Chronicles), and link facts to preceding facts in logical sequence, deducing effects from causes.
To the reign of Iván the Terrible belong, also, "A History of the Kingdom of Kazán," by Priest Ioánn Glazátly; and the "Memoirs of Alexéi Adásheff"—the most ancient memoirs in the Russian language.
In the mean time, during this same sixteenth century, a new culture was springing up in southwestern Russia, and in western Russia, then under the rule of Poland, and under the influence of the Jesuits. Many Russians had joined the Roman Church, or the "Union" (1596), by which numerous eastern orthodox along the western frontier acknowledged the supremacy of the Pope of Rome, on condition of being allowed to retain their own rites and vernacular in the church services. In the end, they were gradually deprived of these, almost entirely; and curiously enough, the solution of this problem has been found, within the last decade, in the United States, where the immigrant Uniates are returning by the thousand to the Russian Church. In order to counteract the education and the wiles of the Jesuits, philanthropic "Brotherhoods" were formed among the orthodox Christians of southwest Russia, and these brotherhoods founded schools in which instruction was given in the Greek, Slavonic, Latin, and Polish languages; and rhetoric, dialectics, poetics, theology, and many other branches were taught. One of these schools in Kíeff was presided over by Peter Moghíla (1597-1646), the famous son of the Voevóda of Wallachia, who was brilliantly educated on the Continent, and at one time had been in the military service of Poland. Thus he thoroughly understood the situation when, later on (1625), he became a monk in the Kíeff Catacombs Monastery, and eventually the archimandrite or abbot, and devoted his wealth and his life to the dissemination of education among his fellow-believers of the Orthodox Eastern Catholic Church. The influence of this man and of his Academy on Russia was immense. The earliest school-books were here composed. Peter Moghíla's own "Shorter Catechism" is still referred to. The Slavonic grammar and lexicon of Lavrénty Zizánie-Tustanóvsky and Melénty Smotrítzky continued in use until supplanted by those of Lomonósoff one hundred and fifty years later. The most important factor, next to the foundation of the famous Academy, was, that towards the middle of the seventeenth century learned Kievlyanins, like Simeón Polótzky, attained to the highest ecclesiastical rank in the country, and imported the new ideas in education, which had been evolved in Kíeff, to Moscow, where they prepared the first stable foundations for the future sweeping reforms of Peter the Great.
Literature continued to bear an ecclesiastical imprint; but there were some works of a different sort. One of the compositions which presents a picture of life in the seventeenth century—among the higher and governing classes only, it is true—is Grigóry Kotoshíkin's "Concerning Russia in the Reign of Alexéi Mikháilovitch." Kotoshíkin was well qualified to deal with the subject, having been secretary in the foreign office, and attached to the service of Voevóda (field marshal), Prince Dolgorúky, in 1666-1667. Among other things, he points out that the "women of the kingdom of Moscow are illiterate," and deduces the conclusion that the chief cause of all contemporary troubles in the kingdom is excessive ignorance. He declares, "We must learn from foreigners, and send our children abroad for instruction"—precisely Peter the Great's policy, it will be observed.
Another writer, Yúry Krizhánitz, must have exerted a very considerable influence upon Peter the Great, as it is known that the latter owned his work on "The Kingdom of Russia in the Middle of the Seventeenth Century." This book contains a discussion as to the proper means for changing the condition of affairs then prevailing; as to the degree in which foreign influence should be permitted; and precisely what measures should be adopted to combat this or that social abuse or defect. The programme of reforms, which he therein laid down, was, to proceed from the highest source, by administrative process, and without regard to the opposition of the masses. This programme Peter the Great carried out most effectually later on.
Battle was also waged with the old order of things in the spiritual realm by the famous Patriarch Níkon (1605-1681), who, as a peasant lad of twelve, ran away from his father's house to a monastery. Although compelled by his parents to return home and to marry, he soon went back and became a monk in a monastery in the White Sea. Eventually he rose not only to the highest ecclesiastical post in the kingdom, but became almost more powerful than the Tzar himself. He may be classed with the great literary forces of the land, in that he caused the correction of the Slavonic Church Service-books directly from the Greek originals, and eliminated from them innumerable and gross errors, which the carelessness and ignorance of scribes and proof-readers had allowed to creep into them. The far-reaching effects of this necessary and important step, the resulting schism in the church, which still endures, Níkon's quarrels with the Tzar Alexéi Mikháilovitch, Peter the Great's father, are familiar matters of history; as is also the fact that the power he won and the course he held were the decisive factors in Peter the Great's resolve to have no more Patriarchs, and to intrust the government of the church to a College, now the Most Holy Governing Synod.