Beggars used to come while we were eating out-of-doors; some called themselves "pilgrims." The count would give them a little money, and they would tramp off again. One day, when the birthday of an absent member of the family was being celebrated, and we were drinking healths in voditchka (a sort of effervescent water flavored with fruit juices), we had a distinguished visitor, "Prince Romanoff." This was the crazy Balakhin mentioned in "What to Do?" as having had his brain turned by the sight of the luxury in the lives of others. His rags and patches, or rather his conglomeration of patches, surpassed anything we had seen in that line. One of the lads jumped up and gave him a glass of raspberry voditchka, telling him that it was rare old wine. The man sipped it, looked through it, and pretended (I am sure that it was mere pretense) to believe that it was wine. He promised us all large estates when the Emperor should give him back his own, now wrongfully withheld from him.
Balakhin stayed about the place, making himself at home with the servants, for twenty-four hours or more. I believe that he strays about among the landed proprietors of the district as a profession. In spite of his willingness to call himself "Prince Romanoff" as often as any one chose to incite him thereto, this did not impress me as a proof that he was too deranged to earn his own living, with his healthy frame, if he saw fit. I had observed the mania for titles in other persons (not all Russians, by any means) who would vigorously resent the imputation that they should be in a lunatic asylum. Moreover, this imperial "Prince Romanoff" never forgot his "manners." He invariably rose when his superiors (or his inferiors, perhaps I should say) approached, like any other peasant, and he looked far more crafty than crazy.
As the peasants were all busy haying, we postponed our visit to the village until the afternoon of Peter and Paul's day, in the hope that we should then find some of them at home. The butler's family were drinking tea on the porch of their neat new log house with a tinned roof, at the end of the village near the park gate. They rose and invited us to honor them with our company and share their meal. We declined, for lack of time.
One of the count's daughters had told me of a curious difference existing between the cut of the aprons of maidens and of those of married women. I had been incredulous, and she suggested that I put the matter to the test by asking the first married woman whom we should see. We found a pretty woman, with beautiful brown eyes and exquisite teeth (whose whiteness and soundness are said to be the result of the sour black bread which the peasants eat exclusively), standing at the door of her cottage.
"Here's your chance!"
"Show me your window, please," I said.
She laughed, and turned her back to me. There was the "window," sure enough. The peasant apron, which is fastened under the armpits, is pretty evenly distributed as to fullness all the way round, and in the case of a maiden falls in straight lines in the back. But the married woman makes hers with a semicircular opening a few inches below the band. The points of the opening are connected by a loop of fringe, a couple of cords not always tied, or anything that comes handy, apparently for ornament. Now, when the husband feels moved to demonstrate his affection for his spouse by administering a beating, he is not obliged to fumble and grope among those straight folds for the awkward triangular little opening, quite unsuited to accommodate his fist. He can grasp her promptly by the neck of her chemise and this comfortable semicircle, and not force her to doubt his love by delay and hesitation in expression. I asked the pretty woman if her husband found it very useful. "Sometimes," she answered nonchalantly. The Russian peasant theory is: "No beating, no jealousy; no jealousy, no love."
She offered to sell us a new petticoat similar to the one which she wore. It was of homespun, hard-twisted wool etamine very durable, of a sort which is made, with slight variations, in several governments. Ordinarily, in this district, it is of a bright scarlet plaided off with lines of white and yellow. A breadth of dark blue cotton is always inserted in the left side. When a woman is in mourning, the same plaid on a dark blue foundation is used. Married women wear coarse chemises and aprons of homespun linen; and their braided hair coiled on top of the head imparts a coronet shape to the gay cotton kerchief which is folded across the brow and knotted at the nape of the neck.
Young girls wear cotton chemises and aprons and print dresses, all purchased, not home made. It is considered that if a girl performs her due share of the house and field work she will not have time to weave more than enough linen for her wedding outfit, and the purchase of what is needed before that unhappy event is regarded as a certificate of industry. I call it an unhappy event because from the moment of her betrothal the prospective bride wears mourning garments. Black beads for the neck are the height of fashion here.
The girl's gown, called a sarafan, is plaited straight and full into a narrow band, and suspended just below the armpits by cross-bands over the shoulders. She prefers for it plain scarlet cotton (kumatch), or scarlet printed in designs of yellow, white, and green. Her head kerchief matches in style. Her betrothal gown and kerchief have a dark blue or black ground with colored figures.