And Life would do the rest–oh! surely–in the case of her father and herself, was the dewy thought of Pemrose Lorry as she planted her baby tree in honor of that novel Wayfarer, that would first traverse space and conquer it–bridge the gulf which made Earth a hermit amid the heavenly bodies–of the great invention, whereof poets in future ages would sing, that daringly took the first step towards linking planet with planet.

And the tender sapling was rooted in the hope that long before it was a mature tree that comet-like Wayfarer would start,–the Thunder Bird would fly.

Well! star-dust never blinded the eyes. But it certainly dazzled those of Pemrose, that young visionary, as she pressed earth around her sapling’s root: would there ever come a time when the Camp Fires of Earth would hail the Camp Fires of some other planet across that illimitable No Man’s Land of Space, first–oh! thought transcendent–first bridged by her father’s genius?

But with the high seasoning of that thought came the salty smack of another! All unseen in the planting excitement a tear dropped upon the spading trowel as she thought of that whimsical “Get thee behind me, Satan, but don’t push!” plea of the inventor sorely tempted to commercialize his genius, thwart its inspired range, because of the difficulties about bringing his project to fruition–and of that money hung up, idle, for the next twelve years.

“Daddy-man thinks he’ll be–well! not an old man, but that his best energies will be spent by that time, even if–”

But here the trowel dug vigorously, burying head over ears the thought of the possible return within that time of the “zany” who had been such a mad fellow in youth that, according to her father and others, it was like sitting on a barrel of gunpowder to have anything to do with him, so sure were you to come to grief through his explosive pranks. And yet, and yet–perhaps it was the dash of spice in her name–Pem could not help feeling an interest for his own sake in that “hot tamale”, the Thunder Bird’s rival in the will!

So she spaded away, watering her sapling for the first time, herself, with that little tributary tear; and then, propitiating it, after the manner of the Indians, in the graceful Leaf Dance, capering around it, around the Queen Birch, too, with her companions, upon the lightest fantastic toe, their green arms outstretched and waving, to imitate the leaves above them, blown by the wind.

Went the phonograph upon the bungalow piazza, as it threw off the music, the quaint Indian accompaniment to those stamping, shuffling, skipping feet, to the queer little half-savage syllables, borrowed from the Creek Indians, upon the lips of the chanting, dancing girls, to the coconut hand-rattle wielded by Aponi, the Butterfly, most fairy-like of the green dancers, as she led and led, in honor of the new idlwissi, or tree-hair, the listening leaves–ethereal partners overhead.